by Pierce Kelley ‧ RELEASE DATE: June 27, 2018
A philosophically searching but overly moralistic tale.
In this fourth installment of a fictional series based on a true story, a teenage Egyptian experiencing a crisis of faith undertakes a meditative pilgrimage.
In 2015, nearly two dozen Coptic Christians were taken hostage by the Islamic State group in Egypt and summarily executed. There was only one survivor, Mekhaeil Zacharias, a 16-year-old whose life was spared in order to become a living testament to the band’s unmerciful intent. In the aftermath of the tragedy, Mekhaeil’s life continued to be a tumultuous one—he traveled to India, was hunted by IS assassins, became an international celebrity, and finally landed in New York City. In this volume, he now experiences profound spiritual confusion about who he is—removed from his native land, he’s unsure if he’s still a Coptic Christian or any kind of Christian at all. Father Bishoy, a kind of mentor to Mekhaeil, encourages him to replicate the pilgrimage once taken by St. James, El Camino de Santiago, which begins in France and concludes in northwestern Spain. During his journey, Mekhaeil meets and converses with many travelers and receives a series of lessons about the history of various world faiths, a litany that begins to feel like a textbook course on comparative religion. At one point, he tells a journalist: “I have learned about the Muslims and the Jews, the Buddhists and the Hindus, the Methodists and other Christian denominations, but I’m just not sure I believe everything I have been taught by my parents and the Coptic priests.” Kelley (Hiding in America, 2018, etc.) has based his series on the IS beheading of 21 Egyptian Coptic Christians in Libya in 2015; there were no survivors. In this installment, the author thoughtfully details Mekhaeil’s philosophical odyssey and his prayerful shift from thinking about God to addressing his concerns to him. While the narration in these pages frequently references the book’s predecessors, it’s understandable on its own. The author writes in lucid and affecting prose and powerfully limns Mekhaeil’s “beaten soul,” the consequence of his theological doubts as well as his survivor’s guilt. But Kelley tries too hard—laboriously and earnestly—to impart a lesson, which makes the novel feel didactic. For example, preceding the story are two introductory notes in which Kelley feels compelled to explain the work’s meaning in advance.
A philosophically searching but overly moralistic tale.Pub Date: June 27, 2018
ISBN: 978-1-5320-5357-3
Page Count: 332
Publisher: iUniverse
Review Posted Online: Nov. 7, 2018
Review Program: Kirkus Indie
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by C.S. Lewis ‧ RELEASE DATE: Jan. 1, 1942
These letters from some important executive Down Below, to one of the junior devils here on earth, whose job is to corrupt mortals, are witty and written in a breezy style seldom found in religious literature. The author quotes Luther, who said: "The best way to drive out the devil, if he will not yield to texts of Scripture, is to jeer and flout him, for he cannot bear scorn." This the author does most successfully, for by presenting some of our modern and not-so-modern beliefs as emanating from the devil's headquarters, he succeeds in making his reader feel like an ass for ever having believed in such ideas. This kind of presentation gives the author a tremendous advantage over the reader, however, for the more timid reader may feel a sense of guilt after putting down this book. It is a clever book, and for the clever reader, rather than the too-earnest soul.
Pub Date: Jan. 1, 1942
ISBN: 0060652934
Page Count: 53
Publisher: Macmillan
Review Posted Online: Oct. 17, 2011
Kirkus Reviews Issue: June 15, 1943
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by Alice Hoffman ‧ RELEASE DATE: Oct. 4, 2011
Hoffman (The Red Garden, 2011, etc.) births literature from tragedy: the destruction of Jerusalem's Temple, the siege of Masada and the loss of Zion.
This is a feminist tale, a story of strong, intelligent women wedded to destiny by love and sacrifice. Told in four parts, the first comes from Yael, daughter of Yosef bar Elhanan, a Sicarii Zealot assassin, rejected by her father because of her mother's death in childbirth. It is 70 CE, and the Temple is destroyed. Yael, her father, and another Sicarii assassin, Jachim ben Simon, and his family flee Jerusalem. Hoffman's research renders the ancient world real as the group treks into Judea's desert, where they encounter Essenes, search for sustenance and burn under the sun. There too Jachim and Yael begin a tragic love affair. At Masada, Yael is sent to work in the dovecote, gathering eggs and fertilizer. She meets Shirah, her daughters, and Revka, who narrates part two. Revka's husband was killed when Romans sacked their village. Later, her daughter was murdered. At Masada, caring for grandsons turned mute by tragedy, Revka worries over her scholarly son-in-law, Yoav, now consumed by vengeance. Aziza, daughter of Shirah, carries the story onward. Born out of wedlock, Aziza grew up in Moab, among the people of the blue tunic. Her passion and curse is that she was raised as a warrior by her foster father. In part four, Shirah tells of her Alexandrian youth, the cherished daughter of a consort of the high priests. Shirah is a keshaphim, a woman of amulets, spells and medicine, and a woman connected to Shechinah, the feminine aspect of God. The women are irretrievably bound to Eleazar ben Ya'ir, Masada's charismatic leader; Amram, Yael's brother; and Yoav, Aziza's companion and protector in battle. The plot is intriguingly complex, with only a single element unresolved. An enthralling tale rendered with consummate literary skill.
Pub Date: Oct. 4, 2011
ISBN: 978-1-4516-1747-4
Page Count: 512
Publisher: Scribner
Review Posted Online: April 5, 2011
Kirkus Reviews Issue: April 15, 2011
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