Redolent of atmosphere and narrated in an old-fashioned leisurely voice rarely heard nowadays: a story of the first...
An eerie, atmospheric account of a drifter who wanders into a remote French village, disappears, and comes to haunt the lives of the local inhabitants, in a sequel to The Murdered House (2000, not reviewed) from celebrated Provençal novelist Magnan.
The hilltown of Lurs is the kind of place where strangers are noticed—especially strangers as odd as Séraphin Monge, who stumbled into the village café one cold night in 1921. Silent, shy, and mysterious, Séraphin says little about himself but admits he’s an orphan who’s left home and has no clear destination ahead. Eager to make a little money, Séraphin agrees to fell some trees for a local farmer, but after only a few days he’s buried in a mudslide and given up for dead. His story might have ended there but for the fact that three townswomen had already fallen in love with him: Auphanie Brunel (who runs the café), Marie Dormeur (the baker’s daughter), and Rose Sepulcre (who owns a small factory nearby) are all determined that Séraphin’s body be recovered and given a Christian burial. They prevail upon Antoine (the factory foreman) to undertake the dangerous task of dredging the quagmire. Once Séraphin has been decently entombed, however, he finds little rest—for an odd series of miracles begin to take place at his grave. Marie’s blind son recovers his sight, the butcher’s disfigured boy is cured, and the village atheist converts and enters a monastery. The parish priest is dubious, and his bishop (fearing hysteria or fraud) is frankly hostile to the cult that has sprung up—so they secretly take action to nip the devotion in the bud. But there are also stories circulating of people who’ve seen Séraphin walking about long after he was supposed to have been buried in the mud. Is he a ghost? Or is he, in fact, still alive? Maybe this is one of those weird incidents that eventually turns into a legend—or maybe it’s something else altogether.
Redolent of atmosphere and narrated in an old-fashioned leisurely voice rarely heard nowadays: a story of the first rank—intriguing, exotic, and extremely strange.Pub Date: Dec. 1, 2002
ISBN: 1-86046-739-3
Page Count: 394
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 1, 2002
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
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