Redolent of atmosphere and narrated in an old-fashioned leisurely voice rarely heard nowadays: a story of the first...
An eerie, atmospheric account of a drifter who wanders into a remote French village, disappears, and comes to haunt the lives of the local inhabitants, in a sequel to The Murdered House (2000, not reviewed) from celebrated Provençal novelist Magnan.
The hilltown of Lurs is the kind of place where strangers are noticed—especially strangers as odd as Séraphin Monge, who stumbled into the village café one cold night in 1921. Silent, shy, and mysterious, Séraphin says little about himself but admits he’s an orphan who’s left home and has no clear destination ahead. Eager to make a little money, Séraphin agrees to fell some trees for a local farmer, but after only a few days he’s buried in a mudslide and given up for dead. His story might have ended there but for the fact that three townswomen had already fallen in love with him: Auphanie Brunel (who runs the café), Marie Dormeur (the baker’s daughter), and Rose Sepulcre (who owns a small factory nearby) are all determined that Séraphin’s body be recovered and given a Christian burial. They prevail upon Antoine (the factory foreman) to undertake the dangerous task of dredging the quagmire. Once Séraphin has been decently entombed, however, he finds little rest—for an odd series of miracles begin to take place at his grave. Marie’s blind son recovers his sight, the butcher’s disfigured boy is cured, and the village atheist converts and enters a monastery. The parish priest is dubious, and his bishop (fearing hysteria or fraud) is frankly hostile to the cult that has sprung up—so they secretly take action to nip the devotion in the bud. But there are also stories circulating of people who’ve seen Séraphin walking about long after he was supposed to have been buried in the mud. Is he a ghost? Or is he, in fact, still alive? Maybe this is one of those weird incidents that eventually turns into a legend—or maybe it’s something else altogether.
Redolent of atmosphere and narrated in an old-fashioned leisurely voice rarely heard nowadays: a story of the first rank—intriguing, exotic, and extremely strange.Pub Date: Dec. 1, 2002
ISBN: 1-86046-739-3
Page Count: 394
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 1, 2002
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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