by Pimm van Hest ; illustrated by Lisa Brandenburg ‧ RELEASE DATE: Oct. 29, 2019
Straightforward, gentle, useful, and engaging.
A young child and grandfather have a conversation about death.
When Grandpa suggests that a caterpillar might die if Christopher puts it in a jar, Christopher asks some questions about death, beginning with “Are you going to die, Grandpa?” The response: “Someday, sweetheart. But I hope not too soon.” The pair, both white, with big heads and small bodies in the cartoonlike illustrations, are walking and playing together in a park. Grandpa is stooped and walks with a cane; Christopher wears yellow boots. Their simple exchange covers a lot of philosophical ground. Grandpa acknowledges no one knows when they will die and that Christopher could die before him, but that the chance is small. Grandpa allows that “no one really knows” what happens after death, but he tells Christopher that some people think of heaven (“a place without sadness or war”), others of rebirth (“each time, you get wiser”), and others of “nothing” (“the same as before you were born”). The pair discusses the whys of death (“dying is part of life”), birth (“to learn all sorts of things”), and feelings of fear or comfort about dying. A concluding letter from Christopher to Grandpa, accompanied by an illustration of Christopher alone, offers the titular analogy about becoming a butterfly. Backmatter offers a brief comment and tips for discussion from a grief therapist.
Straightforward, gentle, useful, and engaging. (Picture book. 4-8)Pub Date: Oct. 29, 2019
ISBN: 978-1-60537-494-9
Page Count: 32
Publisher: Clavis
Review Posted Online: July 27, 2019
Kirkus Reviews Issue: Aug. 15, 2019
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by Pimm van Hest ; illustrated by Nynke Mare Talsma
by Tish Rabe ; illustrated by Laura Hughes ‧ RELEASE DATE: June 21, 2016
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
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by Tish Rabe ; illustrated by Sarah Jennings
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by Tish Rabe ; illustrated by Dan Yaccarino
by Jory John ; illustrated by Pete Oswald ‧ RELEASE DATE: Nov. 7, 2023
From curds to riches, from meltdown to uplift—this multicourse romp delivers.
A winning wheel of cheddar with braggadocio to match narrates a tale of comeuppance and redemption.
From humble beginnings among kitchen curds living “quiet lives of pasteurization,” the Big Cheese longs to be the best and builds success and renown based on proven skills and dependable results: “I stuck to the things I was good at.” When newcomer Wedge moves to the village of Curds-on-Whey, the Cheese’s star status wobbles and falls. Turns out that quiet, modest Wedge is also multitalented. At the annual Cheese-cathlon, Wedge bests six-time winner Cheese in every event, from the footrace and chess to hat making and bread buttering. A disappointed Cheese throws a full-blown tantrum before arriving at a moment of truth: Self-calming, conscious breathing permits deep relief that losing—even badly—does not result in disaster. A debrief with Wedge “that wasn’t all about me” leads to further realizations: Losing builds empathy for others; obsession with winning obscures “the joy of participating.” The chastened cheddar learns to reserve bragging for lifting up friends, because anyone can be the Big Cheese. More didactic and less pun-rich than previous entries in the Food Group series, this outing nevertheless couples a cheerful refrain with pithy life lessons that hit home. Oswald’s detailed, comical illustrations continue to provide laughs, including a spot with Cheese onstage doing a “CHED” talk.
From curds to riches, from meltdown to uplift—this multicourse romp delivers. (Picture book. 4-8)Pub Date: Nov. 7, 2023
ISBN: 9780063329508
Page Count: 40
Publisher: Harper/HarperCollins
Review Posted Online: Aug. 26, 2023
Kirkus Reviews Issue: Sept. 15, 2023
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by Jory John ; illustrated by Pete Oswald
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by Jory John ; illustrated by Olivier Tallec
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by Jory John ; illustrated by Erin Kraan
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