by Piotr Parda ; illustrated by Piotr Parda ‧ RELEASE DATE: March 1, 2017
A possible discussion starter, though enigmatic to a fault.
A subtle reminder that education is a gift no amount of bullying can spoil.
Or at least that might be the point of this wordless, metaphorical head-scratcher. In a school situated in a drab neighborhood beneath tracks that are, in the first scene, being used to ship war materiel, a graduation ceremony is about to begin. As the students, depicted as elementary-age children, line up in their gowns, one sniggering graduate shoots a seed into the back of another’s head. The victim, smiling, picks up and pockets the seed. Later, after everyone else is swept away by proud parents, the bespectacled child adds the seed to a big jar full of similar ones, which are all then taken out to the schoolyard to plant in the cracks between paving stones. Parda depicts the setting and a racially and ethnically diverse cast of children and adults in dull or neutral tones, which sets up a vivid visual contrast as the seeds sprout, grow, and finally surround the school in a shining glory of golden sunflowers. In a final view the flowers are seen to be starting to spread, and the neighborhood looks a little less run-down.
A possible discussion starter, though enigmatic to a fault. (Picture book. 11-18)Pub Date: March 1, 2017
ISBN: 978-0-9913866-7-3
Page Count: 52
Publisher: Ripple Grove
Review Posted Online: Jan. 16, 2017
Kirkus Reviews Issue: Feb. 1, 2017
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by Abraham Schroeder ; illustrated by Piotr Parda
by Soman Chainani ; illustrated by Iacopo Bruno ‧ RELEASE DATE: May 14, 2013
Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic.
Chainani works an elaborate sea change akin to Gregory Maguire’s Wicked (1995), though he leaves the waters muddied.
Every four years, two children, one regarded as particularly nice and the other particularly nasty, are snatched from the village of Gavaldon by the shadowy School Master to attend the divided titular school. Those who survive to graduate become major or minor characters in fairy tales. When it happens to sweet, Disney princess–like Sophie and her friend Agatha, plain of features, sour of disposition and low of self-esteem, they are both horrified to discover that they’ve been dropped not where they expect but at Evil and at Good respectively. Gradually—too gradually, as the author strings out hundreds of pages of Hogwarts-style pranks, classroom mishaps and competitions both academic and romantic—it becomes clear that the placement wasn’t a mistake at all. Growing into their true natures amid revelations and marked physical changes, the two spark escalating rivalry between the wings of the school. This leads up to a vicious climactic fight that sees Good and Evil repeatedly switching sides. At this point, readers are likely to feel suddenly left behind, as, thanks to summary deus ex machina resolutions, everything turns out swell(ish).
Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic. (Fantasy. 11-13)Pub Date: May 14, 2013
ISBN: 978-0-06-210489-2
Page Count: 496
Publisher: Harper/HarperCollins
Review Posted Online: Feb. 12, 2013
Kirkus Reviews Issue: April 15, 2013
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by Soman Chainani ; illustrated by Iacopo Bruno
by Soman Chainani ; illustrated by Iacopo Bruno
by Soman Chainani ; illustrated by Iacopo Bruno
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by Soman Chainani ; illustrated by Joel Gennari
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by Soman Chainani ; illustrated by RaidesArt
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BOOK TO SCREEN
by Veera Hiranandani ‧ RELEASE DATE: March 6, 2018
A gripping, nuanced story of the human cost of conflict appropriate for both children and adults.
In 1947, Nisha’s beloved country is being torn apart—and so is her family.
Nisha and her twin brother, Amil, celebrate their 12th birthday in their beloved town of Mirpur Khas, India, a month before their country receives independence from the British and splits into India and Pakistan. Painfully shy, Nisha, who lost her mother in childbirth and feels distant from her stern father and her elderly grandmother, is only able to speak freely with the family cook, a Muslim man named Kazi. Although Nisha’s mother was Muslim, her family is Hindu, and the riots surrounding Partition soon make it impossible for them to live in their home safely despite their mixed faith. They are forced to leave their town—and Kazi. As Nisha and her family make their way across the brand-new border, Nisha learns about her family history, not to mention her own strength. Hiranandani (The Whole Story of Half a Girl, 2013) compassionately portrays one of the bloodiest periods in world history through diary entries Nisha writes to her deceased mother. Nisha’s voice is the right mix of innocence and strength, and her transformation is both believable and heartbreaking. Nisha’s unflinching critiques of Gandhi, Nehru, and Jinnah are particularly refreshing in their honesty.
A gripping, nuanced story of the human cost of conflict appropriate for both children and adults. (Historical fiction. 11-adult)Pub Date: March 6, 2018
ISBN: 978-0-7352-2851-1
Page Count: 272
Publisher: Kokila
Review Posted Online: Dec. 2, 2017
Kirkus Reviews Issue: Jan. 1, 2018
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More by Nadia Alam
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by Veera Hiranandani ; illustrated by Nadia Alam
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by Veera Hiranandani ; illustrated by Vesper Stamper
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by Veera Hiranandani ; illustrated by Prashant Miranda
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