A richly illustrated, accessible critique of consumer culture and scarcity mentality.
A modern yet timeless fable in which a child’s observation sparks a paradigm shift for a society that values individual production and ownership.
Two groups of humans live on either side of a mountain, leading disparate lives due to the range of resources available to them: One side catches fish, mines jewels, grows crops, and sells things among themselves, while the other side must eke out a living with crops grown in weak soil. What this second group lacks in material wealth, however, they more than make up for in close-knit community, freely sharing experiences and stories. The book’s child protagonist, Pim—who is never gendered by the text—hails from the storytelling group. One day Pim ventures to the marketplace over the mountain in search of a new story but finds much more. Goodhart’s prose, which captures both the wonder and pragmatism of many folktales, is supported by Abdollahi’s vibrant, detailed patchworklike watercolors. The angular, almost cubist artistic style, featuring paper-white figures with large eyes and elongated limbs, lends the text a surreal, vaguely unsettling affect that echoes its anti-capitalist message. The text placement is visually dynamic in several spreads, though certain other design elements distract rather than support; for example, the cover’s muted gray background clashes with its rounded, colorful display type.
A richly illustrated, accessible critique of consumer culture and scarcity mentality. (Picture book. 4-8)Pub Date: Sept. 17, 2019
ISBN: 978-1-910328-20-0
Page Count: 28
Publisher: Tiny Owl
Review Posted Online: June 15, 2019
Kirkus Reviews Issue: July 1, 2019
A witty year-round ghost tale that delivers a wonderfully unconventional conclusion.
A headstrong young girl finds herself in a haunted house standoff.
Aggie’s excitement about living independently quickly dissolves when she discovers that her lovely new cottage in the rainy woods comes with an unwelcome, shape-shifting, ghostly roommate. Determined to make it work, the light-skinned, short-haired Aggie establishes house rules for the ghost—“no haunting after dark,” “no stealing my socks,” “no more eating all the cheese”—but her spectral companion proves resistant to regulation. The conflict escalates to a high-stakes tic-tac-toe match, where the winner gets the house. Forsythe’s signature watercolor, gouache, and colored pencil illustrations masterfully supply both emotional depth and charm to the characters and setting. In a particularly mesmerizing double-page spread, a supernatural vortex of swirling, eye-studded ghostly forms draw the gaze toward an opening where a small, determined Aggie and her equally resolute opponent face off. Glowing pinks juxtaposed with deep indigos heighten the dramatic atmosphere. The delightfully wry ghost’s ever-changing forms and expressions create a humorous visual journey that will have readers hurrying to discover each new, surprising incarnation. Though the narrative occasionally feels assembled to showcase striking artwork over story flow—a minor issue that likely won’t trouble Forsythe fans—the refreshingly imperfect resolution offers young readers a nuanced ending rarely found in picture books.
A witty year-round ghost tale that delivers a wonderfully unconventional conclusion. (Picture book. 4-8)Pub Date: Aug. 19, 2025
ISBN: 9781534478206
Page Count: 64
Publisher: Paula Wiseman/Simon & Schuster
Review Posted Online: May 16, 2025
Kirkus Reviews Issue: June 15, 2025
From curds to riches, from meltdown to uplift—this multicourse romp delivers.
A winning wheel of cheddar with braggadocio to match narrates a tale of comeuppance and redemption.
From humble beginnings among kitchen curds living “quiet lives of pasteurization,” the Big Cheese longs to be the best and builds success and renown based on proven skills and dependable results: “I stuck to the things I was good at.” When newcomer Wedge moves to the village of Curds-on-Whey, the Cheese’s star status wobbles and falls. Turns out that quiet, modest Wedge is also multitalented. At the annual Cheese-cathlon, Wedge bests six-time winner Cheese in every event, from the footrace and chess to hat making and bread buttering. A disappointed Cheese throws a full-blown tantrum before arriving at a moment of truth: Self-calming, conscious breathing permits deep relief that losing—even badly—does not result in disaster. A debrief with Wedge “that wasn’t all about me” leads to further realizations: Losing builds empathy for others; obsession with winning obscures “the joy of participating.” The chastened cheddar learns to reserve bragging for lifting up friends, because anyone can be the Big Cheese. More didactic and less pun-rich than previous entries in the Food Group series, this outing nevertheless couples a cheerful refrain with pithy life lessons that hit home. Oswald’s detailed, comical illustrations continue to provide laughs, including a spot with Cheese onstage doing a “CHED” talk.
From curds to riches, from meltdown to uplift—this multicourse romp delivers. (Picture book. 4-8)Pub Date: Nov. 7, 2023
ISBN: 9780063329508
Page Count: 40
Publisher: Harper/HarperCollins
Review Posted Online: Aug. 26, 2023
Kirkus Reviews Issue: Sept. 15, 2023
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