Disappointing, because this author can do better.
In this third novel by Argentinian Oloixarac, an award ceremony for a major European literary prize takes an apocalyptic turn.
The eponymous protagonist, a Peruvian writer and doctoral candidate at Stanford, leaves California for Stockholm to attend the award ceremony for the prestigious Basske-Wortz literary prize. Drugged to the gills and covered in bruises from a night she can't remember, she sips Stoli on the plane, ignoring the messages on her phone and meditating on American racism: "American universities shared certain essential values with classical zoologists, for whom diversity was a mark of attraction and distinction." She and 12 other writers from around the world, all finalists, converge for four days of panels and lectures beside a Swedish lake. Oloixarac's debut novel, Savage Theories (2017), was a bestseller in Argentina and catapulted her to a certain literary fame; she describes this congress of international writers with a jaundiced and convincing eye. (As the French finalist puts it, literary festivals are good because "the memory of them is so repulsive, and you end up so disgusted by the writing ‘community’ that you have no choice but to stay home and write.") Savage Theories displayed the dizzying, at times manic, promise of a writer making original connections between wide-ranging subjects. This is a narrower effort and a considerably less successful one. There's a lot of material here: ideas about what it means to write, about politics and South American literature ("Now that leftist culture is mainstream, it means absolutely nothing. Think about it: What does it mean to be a leftist? Eating vegan?"); a decapitated fox; Mona's mysterious bruises; a mythological sea serpent; plenty of nudity and several sex scenes ("She’d waxed a few days beforehand and her pores grazed the pink fabric of her panties like the wet snouts of tiny rabbits"). But there's little narrative cohesion between them. After reading a draft of her next book, Mona's French translator asks, "Why should I care about these people?" Why, indeed?
Disappointing, because this author can do better.Pub Date: March 16, 2021
ISBN: 978-0-3742-1189-9
Page Count: 192
Publisher: Farrar, Straus and Giroux
Review Posted Online: Nov. 26, 2020
Kirkus Reviews Issue: Dec. 15, 2020
BOOK REVIEW
BOOK REVIEW
That college love affair you never got over? Come wallow in this gorgeous version of it.
A love triangle among young literati has a long and complicated aftermath.
King’s narrator doesn’t reveal her name until the very last page, but Sam and Yash, the brainy stars of her 17th-century literature class, call her Jordan. Actually, at first they refer to her as Daisy, for Daisy Buchanan of The Great Gatsby, but when they learn she came to their unnamed college on a golf scholarship, they change it to Jordan for Gatsby’s golfer friend. The boys are housesitting for a professor who’s spending a year at Oxford, living in a cozy, book-filled Victorian Jordan visits for the first time after watching The Deer Hunter at the student union on her first date with Sam. As their relationship proceeds, Jordan is practically living at the house herself, trying hard not to notice that she’s actually in love with Yash. A Baptist, Sam has an everything-but policy about sex that only increases the tension. The title of the book refers to a nickname for the king of hearts from an obscure card game the three of them play called Sir Hincomb Funnibuster, and both the game and variations on the moniker recur as the novel spins through and past Jordan’s senior year, then decades into the future. King is a genius at writing love stories—including Euphoria (2014), which won the Kirkus Prize—and her mostly sunny version of the campus novel is an enjoyable alternative to the current vogue for dark academia. Tragedies are on the way, though, as we know they must be, since nothing gold can stay and these darn fictional characters seem to make the same kinds of stupid mistakes that real people do. Tenderhearted readers will soak the pages of the last chapter with tears.
That college love affair you never got over? Come wallow in this gorgeous version of it.Pub Date: Oct. 7, 2025
ISBN: 9780802165176
Page Count: 256
Publisher: Grove
Review Posted Online: July 4, 2025
Kirkus Reviews Issue: Aug. 1, 2025
PERSPECTIVES
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.
A falsely accused Black man goes into hiding in this masterful novella by Wright (1908-1960), finally published in full.
Written in 1941 and '42, between Wright’s classics Native Son and Black Boy, this short novel concerns Fred Daniels, a modest laborer who’s arrested by police officers and bullied into signing a false confession that he killed the residents of a house near where he was working. In a brief unsupervised moment, he escapes through a manhole and goes into hiding in a sewer. A series of allegorical, surrealistic set pieces ensues as Fred explores the nether reaches of a church, a real estate firm, and a jewelry store. Each stop is an opportunity for Wright to explore themes of hope, greed, and exploitation; the real estate firm, Wright notes, “collected hundreds of thousands of dollars in rent from poor colored folks.” But Fred’s deepening existential crisis and growing distance from society keep the scenes from feeling like potted commentaries. As he wallpapers his underground warren with cash, mocking and invalidating the currency, he registers a surrealistic but engrossing protest against divisive social norms. The novel, rejected by Wright’s publisher, has only appeared as a substantially truncated short story until now, without the opening setup and with a different ending. Wright's take on racial injustice seems to have unsettled his publisher: A note reveals that an editor found reading about Fred’s treatment by the police “unbearable.” That may explain why Wright, in an essay included here, says its focus on race is “rather muted,” emphasizing broader existential themes. Regardless, as an afterword by Wright’s grandson Malcolm attests, the story now serves as an allegory both of Wright (he moved to France, an “exile beyond the reach of Jim Crow and American bigotry”) and American life. Today, it resonates deeply as a story about race and the struggle to envision a different, better world.
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.Pub Date: April 20, 2021
ISBN: 978-1-59853-676-8
Page Count: 240
Publisher: Library of America
Review Posted Online: March 16, 2021
Kirkus Reviews Issue: April 1, 2021
BOOK TO SCREEN
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