While there are echoes of Borges and Bolaño here, the synthesis of ideas and the manic intelligence are wholly new....

READ REVIEW

SAVAGE THEORIES

Set in Buenos Aires, Oloixarac's debut novel ranges widely, from initiation rites to computer hacking, from human prehistory to ketamine-fueled parties.

The mysterious narrator stalks a middle-aged professor, desperate to reveal that she alone understands his brilliant Theory of Egoic Transmissions ("soon I will illuminate the dark side of your philosophy"). Parallel to this narrative runs a sexual picaresque, beginning "amid the violence of the Years of Lead, in the late 1970s." The heroine of this thread, Kamtchowsky, and her boyfriend, Pabst, become involved with another couple. Dark and humorous in turns, the tone is wry, erudite, raunchy, and the text is sprinkled with references to politics, philosophy, anthropology, and pop culture and the occasional illustration. Academic posturing is mocked. A character finds himself "caught in a burst of metatheory as regarded the meaning of jerking himself off." At the heart of Oloixarac's ambitious book lie the human relationship to violence and the significance of our prehistoric shift from prey to weapon-wielding predator. The narrator is interested in "an ontology of human acts," "an anthropology of voluptuousness and war." She sees the individual existing within "a space dense with ghosts and purposeful geometries" where "the totality of past and present points of view...pierce through space, and one another." This could also describe the structure of the novel, making for a sometimes-dizzying ride. The narrator embarks on a calculated seduction of a former leftist guerilla and toys with him, the prey becoming predator. Meanwhile, Kamtchowsky, "little diva of amateur porn," invents a computer game based on Argentina's Dirty War. A hack embedded within it makes possible a project that maps Buenos Aires in a wholly new way ("The city was an utter mess. And yet it was beautiful"), illuminating "the cyclical history of a country where events occurred and then revolved around one another, merely existing, unable to account for themselves."

While there are echoes of Borges and Bolaño here, the synthesis of ideas and the manic intelligence are wholly new. Brilliant, original, and very fun to read.

Pub Date: Jan. 10, 2017

ISBN: 978-1-61695-735-3

Page Count: 304

Publisher: Soho

Review Posted Online: Oct. 5, 2016

Kirkus Reviews Issue: Oct. 15, 2016

Did you like this book?

No Comments Yet

Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

Our Verdict

  • Our Verdict
  • GET IT

  • New York Times Bestseller

  • IndieBound Bestseller

THE VANISHING HALF

Inseparable identical twin sisters ditch home together, and then one decides to vanish.

The talented Bennett fuels her fiction with secrets—first in her lauded debut, The Mothers (2016), and now in the assured and magnetic story of the Vignes sisters, light-skinned women parked on opposite sides of the color line. Desiree, the “fidgety twin,” and Stella, “a smart, careful girl,” make their break from stultifying rural Mallard, Louisiana, becoming 16-year-old runaways in 1954 New Orleans. The novel opens 14 years later as Desiree, fleeing a violent marriage in D.C., returns home with a different relative: her 8-year-old daughter, Jude. The gossips are agog: “In Mallard, nobody married dark....Marrying a dark man and dragging his blueblack child all over town was one step too far.” Desiree's decision seals Jude’s misery in this “colorstruck” place and propels a new generation of flight: Jude escapes on a track scholarship to UCLA. Tending bar as a side job in Beverly Hills, she catches a glimpse of her mother’s doppelgänger. Stella, ensconced in white society, is shedding her fur coat. Jude, so black that strangers routinely stare, is unrecognizable to her aunt. All this is expertly paced, unfurling before the book is half finished; a reader can guess what is coming. Bennett is deeply engaged in the unknowability of other people and the scourge of colorism. The scene in which Stella adopts her white persona is a tour de force of doubling and confusion. It calls up Toni Morrison’s The Bluest Eye, the book's 50-year-old antecedent. Bennett's novel plays with its characters' nagging feelings of being incomplete—for the twins without each other; for Jude’s boyfriend, Reese, who is trans and seeks surgery; for their friend Barry, who performs in drag as Bianca. Bennett keeps all these plot threads thrumming and her social commentary crisp. In the second half, Jude spars with her cousin Kennedy, Stella's daughter, a spoiled actress.

Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

Pub Date: June 2, 2020

ISBN: 978-0-525-53629-1

Page Count: 352

Publisher: Riverhead

Review Posted Online: March 15, 2020

Kirkus Reviews Issue: April 1, 2020

Did you like this book?

Inspired by disclosures of a real-life Florida reform school’s long-standing corruption and abusive practices, Whitehead’s...

Our Verdict

  • Our Verdict
  • GET IT

  • Kirkus Reviews'
    Best Books Of 2019

  • Kirkus Prize
  • Kirkus Prize
    winner

  • New York Times Bestseller

  • IndieBound Bestseller

THE NICKEL BOYS

The acclaimed author of The Underground Railroad (2016) follows up with a leaner, meaner saga of Deep South captivity set in the mid-20th century and fraught with horrors more chilling for being based on true-life atrocities.

Elwood Curtis is a law-abiding, teenage paragon of rectitude, an avid reader of encyclopedias and after-school worker diligently overcoming hardships that come from being abandoned by his parents and growing up black and poor in segregated Tallahassee, Florida. It’s the early 1960s, and Elwood can feel changes coming every time he listens to an LP of his hero Martin Luther King Jr. sermonizing about breaking down racial barriers. But while hitchhiking to his first day of classes at a nearby black college, Elwood accepts a ride in what turns out to be a stolen car and is sentenced to the Nickel Academy, a juvenile reformatory that looks somewhat like the campus he’d almost attended but turns out to be a monstrously racist institution whose students, white and black alike, are brutally beaten, sexually abused, and used by the school’s two-faced officials to steal food and supplies. At first, Elwood thinks he can work his way past the arbitrary punishments and sadistic treatment (“I am stuck here, but I’ll make the best of it…and I’ll make it brief”). He befriends another black inmate, a street-wise kid he knows only as Turner, who has a different take on withstanding Nickel: “The key to in here is the same as surviving out there—you got to see how people act, and then you got to figure out how to get around them like an obstacle course.” And if you defy them, Turner warns, you’ll get taken “out back” and are never seen or heard from again. Both Elwood’s idealism and Turner’s cynicism entwine into an alliance that compels drastic action—and a shared destiny. There's something a tad more melodramatic in this book's conception (and resolution) than one expects from Whitehead, giving it a drugstore-paperback glossiness that enhances its blunt-edged impact.

Inspired by disclosures of a real-life Florida reform school’s long-standing corruption and abusive practices, Whitehead’s novel displays its author’s facility with violent imagery and his skill at weaving narrative strands into an ingenious if disquieting whole.

Pub Date: July 16, 2019

ISBN: 978-0-385-53707-0

Page Count: 224

Publisher: Doubleday

Review Posted Online: Jan. 21, 2019

Kirkus Reviews Issue: Feb. 1, 2019

Did you like this book?

more