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IN THE SHADOW OF THE SUN

An unfocused tale of Vietnam War–era family dysfunction that’s rich in historical realism.

Debut author Flores’ literary novel follows bizarre family troubles in a small Southern California town.

Welcome to Clarktown, California. Clarktown is located in Allen County, a place that “was created in the nineteenth century by the shear will, sweat and blood of the farmers, ranchers, and working families.” It is the 1960s, and the war in Vietnam is getting increasingly unpopular stateside. Veterans are returning from their time in combat in bad shape. Some are addicted to heroin, while others, like Matt Bradley, carry physical and emotional scars. Although Matt has managed to put his military training to use in civilian life advising police officers, his past still haunts him. Samuel Mendoza’s older brother Curtis “Curt” Mendoza served as a Green Beret. Once Curt is discharged from the Army, he winds up in all sorts of trouble, such as fighting and drug smuggling. Things go from bad to worse for Curt when he is accused of murder. It doesn’t help that local law enforcement is not exactly on the up and up. Sheriff Robert “Big Bob” Johnson seems keen on getting away with whatever might earn him a quick buck. His hobbies include quoting John Wayne movies and dealing in illicit human body parts. Big Bob believes Curt has information that could be useful, so he is hellbent on making Curt’s time behind bars as uncomfortable as possible. Lucky for Curt, his brother Hank is an Ivy League grad and lawyer who comes home from Boston to help with his case. Curt also has on his side local hippie attorney Robert “Bob” Stein. Bob and Hank may be sharp, but they have their work cut out for them.

Along with Curt’s legal situation, the narrative weaves in plenty of vivid period details of the 1960s. Baseball is well represented (snippets of Sandy Koufax’s career are mentioned throughout), as is the teen music scene: As one kid puts it, “I’m already tired of The Beatles…the Stones; that’s where it’s at, man.” Such aspects ground the story in a specific time and place, and the prose progresses in a breezy, conversational tone. The narrator explains complicated situations in a plain, matter-of-fact style: a good example is his description of his brother’s odd behavior upon his return from Vietnam (Curt seemed to be “nowhere and everywhere.”) The author also gives extensive background info on both major and minor characters. The reader learns everything from what car Stein drives to the special dish created in his honor at his landlord’s Mexican restaurant with kosher carne asida. The attorney describes “Combination Plate No. 7, The Stein Plate” as having “some heavy Old Testament vibe, and damn fucking good.” Such attention to detail enhances the main characters, although in the case of more peripheral characters, the detailed descriptions seem gratuitous. The question of whether Curt killed a man or not isn’t quite as suspenseful as one might expect. Despite such distractions, as the narrative centers on Curt’s trial it raises interesting questions about everything from pleas of insanity to the vagaries of small-town justice.

An unfocused tale of Vietnam War–era family dysfunction that’s rich in historical realism.

Pub Date: March 9, 2023

ISBN: 9798363956645

Page Count: 352

Publisher: Self

Review Posted Online: May 25, 2023

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THE CALAMITY CLUB

Fans of Stockett’s bestselling debut will love this engaging follow-up.

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Stockett heads to Mississippi for another historical novel about feisty women.

This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.

Fans of Stockett’s bestselling debut will love this engaging follow-up.

Pub Date: May 5, 2026

ISBN: 9781954118812

Page Count: 656

Publisher: Spiegel & Grau

Review Posted Online: Feb. 2, 2026

Kirkus Reviews Issue: March 1, 2026

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WHISTLER

An evocative and moving tribute to the death-defying, heart-opening, infinitely redemptive power of storytelling.

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A chance meeting in a museum unlocks a long-closed door in a family’s past.

Of a piece with her last three novels—Commonwealth (2016), The Dutch House (2019), and Tom Lake (2023)—Patchett’s latest explores the evolution of families over time, romantic secrets, and step-relationships, again giving these topics the wry and tender treatment that is distinctively hers. As it begins, Daphne Fuller’s attentive husband, Jonathan, notices that a man has been following them through the Metropolitan Museum of Art. At first they chalk it up to the fact that “old guys love [Daphne],” as she told Jonathan decades ago, a notion he has held onto "like a souvenir postcard from another era." But it turns out that, though Daphne doesn’t recognize him, Eddie Triplett is her former stepfather. Like the author herself, as recalled in her 2020 essay “Three Fathers,” Daphne has had three dads. Her biological father, a deep-sea fisherman named Buddy Zabriskie, left the family early; her current stepfather, Lucas Ekker, lives with her mother in retirement in Massachusetts. Ekker is an unprepossessing sort Abby met working as the publicist for his self-help books, Positivity!, Positively Positive!, The Positivity Workbook!, Positive Every Day!, ad infinitum. The man in the museum, Eddie Triplett, was also someone her mother met through her job in publishing, and once Daphne realizes who he is, she remembers that “[their] hearts were forever stitched together.” This is because Daphne and Eddie were in a serious car accident when she was 9 years old, after which her mother immediately divorced him and evicted him from their lives. The details of that accident—among them lies the reason the novel is named after a horse called Whistler—are gradually wheedled out of Daphne by her younger sister, Leda, a clinical psychologist in New York and a reliable source of insight on the narrative’s key issues. “‘You make it sound like I’ve been keeping all this from you, but I’m not,’ [Daphne] said. ‘Who goes through life thinking about what happened when they were nine?’ ‘It’s all people think about,’ Leda said.”

An evocative and moving tribute to the death-defying, heart-opening, infinitely redemptive power of storytelling.

Pub Date: June 2, 2026

ISBN: 9780063511637

Page Count: 304

Publisher: Harper/HarperCollins

Review Posted Online: April 6, 2026

Kirkus Reviews Issue: May 1, 2026

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