Fairy-tale and romance devotees, museum aficionados and budding librarians will pine for Elizabeth’s afterschool job. Lonely in New York City, her family straight out of Grimm (dead mom, inattentive dad, cold stepfamily), Elizabeth agrees to work at the New-York Circulating Material Repository. She passes the button-sorting interview and begins work in the stacks, where call slips arrive via pneumatic tubes. The Repository houses historical articles (textiles, wigs, tea sets), including the Grimm Collection, all circulating. Shulman’s prose sparkles describing the Grimm objects’ magic powers (recognizable from tales) and the profound deposits required to borrow them (a “long, translucent, sweater-shaped thing” is “somebody’s sense of privacy”; a future firstborn looks “infinitely vulnerable and undefined, like a thought before you put it into words”). The pages are a multiracial group, but the white librarians unfortunately romanticize the Akan peoples, constantly spouting proverbs from those “great men and women. Chiefs in Africa.” Some structural implausibility pales before vivid sensory descriptions (hexed gingerbread tastes “[s]weet and dark, like roast duck or cedar pencils”) and delightful magical happenings both thrilling and nefarious. (Fantasy. 12 & up)
Pub Date: July 8, 2010
ISBN: 978-0-399-25096-5
Page Count: 326
Publisher: Putnam
Review Posted Online: May 23, 2010
Kirkus Reviews Issue: June 15, 2010
In addition to the supernatural elements, Brosgol interweaves some savvy insights about the illusion of perfection and...
A deliciously creepy page-turning gem from first-time writer and illustrator Brosgol finds brooding teenager Anya trying to escape the past—both her own and the ghost haunting her.
Anya feels out of place at her preppy private school; embarrassed by her Russian heritage, she has worked hard to lose her accent and to look more like everyone else. After a particularly frustrating morning at the bus stop, Anya storms off, only to accidentally fall down a well. Down in the dark hole, she meets Emily, a ghost who claims to be a murder victim trapped down in the dank abyss for 90 years. With Emily’s help, Anya manages to escape, though once free, she learns that Emily has traveled out with her. At first, Emily seems like the perfect friend; however, once her motives become clear, Anya learns that “perfect” may only be an illusion. A moodily atmospheric spectrum of grays washes over the clean, tidy panels, setting a distinct stage before the first words appear. Brosgol’s tight storytelling invokes the chilling feeling of Neil Gaiman’s Coraline (2002), though for a decidedly older set.
In addition to the supernatural elements, Brosgol interweaves some savvy insights about the illusion of perfection and outward appearance. (Graphic supernatural fiction. 12 & up)Pub Date: June 7, 2011
ISBN: 978-1-59643-552-0
Page Count: 224
Publisher: First Second
Review Posted Online: April 18, 2011
Kirkus Reviews Issue: May 1, 2011
Immersive and engaging, despite some flaws, and destined to capture imaginations.
Magic, mystery, and love intertwine and invite in this newest take on the “enchanted circus” trope.
Sisters raised by their abusive father, a governor of a colonial backwater in a world vaguely reminiscent of the late 18th century, Scarlett and Donatella each long for something more. Scarlett, olive-skinned, dark of hair and attitude, longs for Caraval, the fabled, magical circus helmed by the possibly evil Master Legend Santos, while blonde, sunny Tella finds comfort in drink and the embraces of various men. A slightly awkward start, with inconsistencies of attitude and setting, rapidly smooths out when they, along with handsome “golden-brown” sailor Julian, flee to Caraval on the eve of Scarlett’s arranged marriage. Tella disappears, and Scarlett must navigate a nighttime world of magic to find her. Caraval delights the senses: beautiful and scary, described in luscious prose, this is a show readers will wish they could enter. Dresses can be purchased for secrets or days of life; clocks can become doors; bridges move: this is an inventive and original circus, laced with an edge of horror. A double love story, one sensual romance and the other sisterly loyalty, anchors the plot, but the real star here is Caraval and its secrets.
Immersive and engaging, despite some flaws, and destined to capture imaginations. (Fantasy. 14 & up)Pub Date: Jan. 31, 2017
ISBN: 978-1-250-09525-1
Page Count: 416
Publisher: Flatiron Books
Review Posted Online: Sept. 18, 2016
Kirkus Reviews Issue: Oct. 1, 2016
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