In this stand-alone companion to The Grimm Legacy (2010), the most extraordinary library in the world makes physical impossibilities possible.
Sitting glumly at home, Leo notices an object materializing on the floor. The glittering, football-sized machine has “gears and rods and knobs and a little saddle”—and two miniscule humans, one of whom is himself. “I’m you, only later,” explains tiny-Leo, exhorting regular-Leo to read H.G. Wells’ The Time Machine. Thank goodness for Leo’s new job as a page at the New-York Circulating Material Repository, a lending library of historical and obscure objects. There he meets Jaya—recognizable from the tiny machine. When an unstable fellow page claims to possess Nikola Tesla’s death ray, Leo and Jaya snap into action using one of the Repository’s Special Collections, the Wells Bequest. The Bequest’s science-fiction objects (how can they exist? That question is called, delightfully, “literary-material philosophy”) let Leo and Jaya dash back in time to Tesla’s 1895 laboratory fire and cross the Atlantic in the Épouvante from Jules Verne’s Master of the World. Hilarious time-travel dialogue keeps the mood light: “Well, she didn’t, or you wouldn’t have to ask her to now,” Leo explains. “So that means she won’t, so she can’t.” In this exhilarating Repository, even the library cataloguing system is juicy.
Pub Date: June 13, 2013
ISBN: 978-0-399-25646-2
Page Count: 272
Publisher: Nancy Paulsen Books
Review Posted Online: April 23, 2013
Kirkus Reviews Issue: May 15, 2013
A lackluster and sometimes disturbing mishmash of overused tropes.
The Plague has left a population divided between Elites and Ordinaries—those who have powers and those who don’t; now, an Ordinary teen fights for her life.
Paedyn Gray witnessed the king kill her father five years ago, and she’s been thieving and sleeping rough ever since, all while faking Psychic abilities. When she inadvertently saves the life of Prince Kai, she becomes embroiled in the Purging Trials, a competition to commemorate the sickness that killed most of the kingdom’s Ordinaries. Kai’s duties as the future Enforcer include eradicating any remaining Ordinaries, and these Trials are his chance to prove that he’s internalized his brutal training. But Kai can’t help but find Pae’s blue eyes, silver hair, and unabashed attitude enchanting. She likewise struggles to resist his stormy gray eyes, dark hair, and rakish behavior, even as they’re pitted against each other in the Trials and by the king himself. Scenes and concepts that are strongly reminiscent of the Hunger Games fall flat: They aren’t bolstered by the original’s heart or worldbuilding logic that would have justified a few extreme story elements. Illogical leaps and inconsistent characterizations abound, with lighthearted romantic interludes juxtaposed against genocide, child abuse, and sadism. These elements, which are not sufficiently addressed, combined with the use of ableist language, cannot be erased by any amount of romantic banter. Main characters are cued white; the supporting cast has some brown-skinned characters.
A lackluster and sometimes disturbing mishmash of overused tropes. (map) (Fantasy. 14-18)Pub Date: Nov. 7, 2023
ISBN: 9798987380406
Page Count: 538
Publisher: Simon & Schuster
Review Posted Online: Sept. 9, 2023
Kirkus Reviews Issue: Oct. 1, 2023
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
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