by Pony Duke & Jason Thomas ‧ RELEASE DATE: Jan. 1, 1996
Poor Doris—to have a biographer who begins his narrative, ``I never loved my godmother, Doris Duke. I doubt if anyone, other than her father, Buck Duke, ever really loved her.'' At one time considered the third richest woman in the world, after the queens of England and the Netherlands, Doris Duke counted her assets in billions and her yearly income in millions. She died—some say was helped to die—in October 1993 at the age of 81, leaving her butler, Bernard Lafferty, as executor of her estate. A hard-drinking Irishman who is rumored to have ``arisen for breakfast wearing some of his mistress's most expensive silk and satin flowing robes and nightclothes,'' Lafferty was soon pushed out by family and other interests, who are still squabbling over the will. That wouldn't surprise Duke, who learned to beat away fortune hunters from the time she was 12 years old and inherited her father's tobacco wealth. Coauthored by Duke's cousin/godson and by novelist and journalist Thomas, this book revels in excess; genuine tragedies mingle indiscriminately and repetitiously with nights at Studio 54, and secret generosity with public scandal. Following her father's death, Duke became a much-publicized debutante, the Princess Di of the Depression, and the press was to follow her marriages and affairs with glee over subsequent decades. Her celebrated lovers included Hawaiian swimming star Duke Kahanamoku, Errol Flynn, Gen. George Patton, and the legendarily endowed (measurements are provided) Porfirio Rubirosa, her second husband. A deliberately terminated advanced pregnancy led her to fantasize about the daughter, Arden, that might have been and ultimately to adopt a woman, Chandi Heffner, whom Duke believed to be the reincarnation of Arden. Eventually ousted from Duke's life, Heffner later sued for a share of the estate. Coarse and clichÇd biography of another poor little rich girl, whose passions were orchids, animals, jazz, and sex, not necessarily in that order. (8 pages b&w photos, not seen) ($50,000 ad/promo; author tour)
Pub Date: Jan. 1, 1996
ISBN: 0-06-017218-5
Page Count: 288
Publisher: HarperCollins
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Nov. 15, 1995
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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developed by Ludwig Bemelmans ; illustrated by Steven Salerno
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