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ALL IS ASSUREDLY WELL

Sweet characters, skillful storytelling, and knockout illustrations.

Awards & Accolades

Our Verdict

  • Our Verdict
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  • Kirkus Reviews'
    Best Books Of 2018

A monarch and his husband long for a baby girl of their own—sparking an arduous search—in this picture book.

In their tiny castle, King Phillip the Good and his “elegant husband, The Most Excellent Don Carlos Emiliano Felipe de Compañero y Campañero,” live happily together. At 8 o’clock every night, Don Carlos can toll the bell and report: “All is assuredly well. / Most assuredly well.” But one day, Phillip realizes that “we need a little princess, a tiny baby girl!” For many nights, the king wishes on the Blue Star for a princess to appear, but without result. But one day, Phillip sees the star beckoning him to follow it through the woods. Understanding he must earn his daughter, the monarch embarks on a dangerous journey. At last the star leads him to a fairy circle where a perfect baby girl sleeps. He and Don Carlos are overjoyed, and again all is well in the kingdom. Gore (Inclusion Strategies for Secondary Classrooms, 2010, etc.) and debut author Wilson offer a charming fable with an effective fairy-tale cadence; the king’s struggles in the forest (he even wrestles a bear) echo the real-life difficulties of adoption, surrogacy, and similar steps toward creating a family. Adoptees should appreciate how desired the baby is, and Phillip’s and Don Carlos’ mutual affection remains touching. The Arthur Rackham–like images in lavender-blue tones by debut illustrator Trotter are a gorgeous, striking plus, beautifully detailed with flower, bird, vine, and fruit motifs.

Sweet characters, skillful storytelling, and knockout illustrations.

Pub Date: N/A

ISBN: 978-0-9998880-0-1

Page Count: 28

Publisher: Camille Lancaster Literary Children's Books

Review Posted Online: April 24, 2018

Kirkus Reviews Issue: June 1, 2018

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TALES FOR VERY PICKY EATERS

Broccoli: No way is James going to eat broccoli. “It’s disgusting,” says James. Well then, James, says his father, let’s consider the alternatives: some wormy dirt, perhaps, some stinky socks, some pre-chewed gum? James reconsiders the broccoli, but—milk? “Blech,” says James. Right, says his father, who needs strong bones? You’ll be great at hide-and-seek, though not so great at baseball and kickball and even tickling the dog’s belly. James takes a mouthful. So it goes through lumpy oatmeal, mushroom lasagna and slimy eggs, with James’ father parrying his son’s every picky thrust. And it is fun, because the father’s retorts are so outlandish: the lasagna-making troll in the basement who will be sent back to the rat circus, there to endure the rodent’s vicious bites; the uneaten oatmeal that will grow and grow and probably devour the dog that the boy won’t be able to tickle any longer since his bones are so rubbery. Schneider’s watercolors catch the mood of gentle ribbing, the looks of bewilderment and surrender and the deadpanned malarkey. It all makes James’ father’s last urging—“I was just going to say that you might like them if you tried them”—wholly fresh and unexpected advice. (Early reader. 5-9)

Pub Date: May 1, 2011

ISBN: 978-0-547-14956-1

Page Count: 48

Publisher: Clarion Books

Review Posted Online: April 4, 2011

Kirkus Reviews Issue: April 1, 2011

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CINDERELLA

From the Once Upon a World series

A nice but not requisite purchase.

A retelling of the classic fairy tale in board-book format and with a Mexican setting.

Though simplified for a younger audience, the text still relates the well-known tale: mean-spirited stepmother, spoiled stepsisters, overworked Cinderella, fairy godmother, glass slipper, charming prince, and, of course, happily-ever-after. What gives this book its flavor is the artwork. Within its Mexican setting, the characters are olive-skinned and dark-haired. Cultural references abound, as when a messenger comes carrying a banner announcing a “FIESTA” in beautiful papel picado. Cinderella is the picture of beauty, with her hair up in ribbons and flowers and her typically Mexican many-layered white dress. The companion volume, Snow White, set in Japan and illustrated by Misa Saburi, follows the same format. The simplified text tells the story of the beautiful princess sent to the forest by her wicked stepmother to be “done away with,” the dwarves that take her in, and, eventually, the happily-ever-after ending. Here too, what gives the book its flavor is the artwork. The characters wear traditional clothing, and the dwarves’ house has the requisite shoji screens, tatami mats and cherry blossoms in the garden. The puzzling question is, why the board-book presentation? Though the text is simplified, it’s still beyond the board-book audience, and the illustrations deserve full-size books.

A nice but not requisite purchase. (Board book/fairy tale. 3-5)

Pub Date: Sept. 13, 2016

ISBN: 978-1-4814-7915-8

Page Count: 24

Publisher: Little Simon/Simon & Schuster

Review Posted Online: Oct. 11, 2016

Kirkus Reviews Issue: Jan. 1, 2017

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