A sweet demonstration that a change in perspective can work wonders.
What child hasn’t felt too small on occasion? Here, Mimi is smaller than everyone in her family (including the dog) as well as everyone in her class.
Mimi’s tale starts as one of woe, a litany of drawbacks to being petite: not being noticed in crowds, not being able to touch the floor while seated on the school bus, not being able to see desserts at the bakery, and so on. But there are two sides to every coin, and Mimi’s friends help her notice the benefits: winning at hide-and-seek, being in the front row for pictures, and treating the bathtub like a swimming pool. At 48 pages, this is a bit longer than is typical for picture books for young children, but there is limited text on each page, and the illustrations with plenty of white space help make the story accessible. Leng’s pen, ink, and watercolor drawings—even the trim size of the whole package—are appropriately small in scale and focus; the pictures are reminiscent of James Stevenson’s art. The satisfying ending shows that it doesn’t make any difference if Mimi is sad or glad about being small: She won’t be the smallest in the family any longer, as a new baby brother has just arrived. Mimi—who wears her brown hair short along with jeans, T-shirt, and a sweatshirt (all too big for her, of course)—and her family present white; her friends and fellow students are diverse.
A sweet demonstration that a change in perspective can work wonders. (Picture book. 4-7)Pub Date: Oct. 2, 2018
ISBN: 978-1-5253-0115-5
Page Count: 40
Publisher: Kids Can
Review Posted Online: Aug. 13, 2018
Kirkus Reviews Issue: Sept. 1, 2018
Warm but underdone.
In this picture book from actor Gyllenhaal and his partner, Caruso, a child and his uncle bond on a fantastic journey.
Leo, an avid dancer, is dismayed when Uncle Mo visits—he’s in town for a “rubber band convention.” Illustrations show both with wavy brown hair and light tan skin. Not only does Leo think his uncle is rather dull, he’s also leery of Uncle Mo’s many rules. A rather abrupt narrative shift occurs when the pair inexplicably drive into another dimension. Here they encounter Great-Aunt Gloria (who is very tall and presents Black) and Uncle Munkle Carbunkle (who is very short and light-skinned), who guide them through the Secret Society of Aunts & Uncles. Unimpressed with Uncle Mo, Great-Aunt Gloria says he must take a quiz on “Auntieology and Uncleology.” After several wrong answers, Uncle Mo has a final chance at redemption: He must state his nephew’s favorite activity. When Leo springs into action to dance for his clueless uncle, a mishap leaves him mortified and un-bespectacled. Enter Uncle Mo to save the day by using a rubber band to secure Leo’s glasses. While Santat’s energetic illustrations do much to clarify the narrative, they can’t fully make up for the disjointed storytelling—it’s never clear why the two have entered this dimension or why Leo is suddenly so eager to help Uncle Mo. (This book was reviewed digitally.)
Warm but underdone. (Picture book. 4-7)Pub Date: Sept. 5, 2023
ISBN: 9781250776990
Page Count: 48
Publisher: Feiwel & Friends
Review Posted Online: July 13, 2023
Kirkus Reviews Issue: Aug. 1, 2023
An expertly crafted, soulful, and humorous work that tenderly explores identity, culture, and the bond between father and...
Thunder Boy Smith Jr. hates his name.
The Native American boy is named after his father, whose nickname is Big Thunder. Thunder Boy Jr. says his nickname, Little Thunder, makes him "sound like a burp or a fart." Little Thunder loves his dad, but he longs for a name that celebrates something special about him alone. He muses, “I love playing in the dirt, so maybe my name should be Mud in His Ears.…I love powwow dancing. I’m a grass dancer. So maybe my name should be Drums, Drums, and More Drums!” Little Thunder wonders how he can express these feelings to his towering father. However, he need not worry. Big Thunder knows that the time has come for his son to receive a new name, one as vibrant as his blossoming personality. Morales’ animated mixed-media illustrations, reminiscent of her Pura Belpré Award–winning work in Niño Wrestles the World (2013), masterfully use color and perspective to help readers see the world from Little Thunder’s point of view. His admiration of his dad is manifest in depictions of Big Thunder as a gentle giant of a man. The otherwise-muted palette bursts with color as Thunder Boy Jr. proudly enumerates the unique qualities and experiences that could inspire his new name.
An expertly crafted, soulful, and humorous work that tenderly explores identity, culture, and the bond between father and son. (Picture book. 4-7)Pub Date: May 10, 2016
ISBN: 978-0-316-01372-7
Page Count: 40
Publisher: Little, Brown
Review Posted Online: March 15, 2016
Kirkus Reviews Issue: April 1, 2016
BOOK REVIEW
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