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QUENTIN BLAKE'S FANTASTIC JOURNEYS

An aptly named exercise in imagination.

An intimate peek into the sketchbook of a legendary author/illustrator.

An introductory note makes clear that while Blake is drawn to pet themes and personally salient motifs, readers should expect to find neither thesis nor throughline connecting the vignettes ahead. Instead, the eight sections that follow are entirely unrelated to one another, each filled with images that invite onlookers to both occupy the world as it’s been reimagined and construct its context. In “Trip Hazards,” clumsy bumblers topple mid-fall across four full-page spreads, while “Ten Things You Really Cannot Manage Without” features slice-of-life essentials like a “beach hut” and a “useful box.” “Deliveries From Elsewhere” features suitably off-the-wall scenarios (characters ride grotesque monsters or pilot flying machines), whereas those in “Feet in the Water” prove perfectly ordinary. An art exhibition of sorts, this work is an introspective companion to the myriad others Blake has built his storied career on; the contents of this volume range widely, sometimes silly, often weird. Done in scribbly pen and ink over muted watercolor, his signature illustrations suit the sinister undercurrent that thrums drolly beneath his unique brand of oddball whimsy. As ever, this artist promises creative and madcap catastrophe, but readers can rest assured—the turn of each page offers unexpected (if occasionally macabre) delights, and the disagreeable stuff occurs squarely offstage.

An aptly named exercise in imagination. (Picture book. 6-12)

Pub Date: Sept. 8, 2025

ISBN: 9781536245080

Page Count: 64

Publisher: Candlewick Studio

Review Posted Online: May 30, 2025

Kirkus Reviews Issue: July 1, 2025

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LITTLE DAYMOND LEARNS TO EARN

It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists.

How to raise money for a coveted poster: put your friends to work!

John, founder of the FUBU fashion line and a Shark Tank venture capitalist, offers a self-referential blueprint for financial success. Having only half of the $10 he needs for a Minka J poster, Daymond forks over $1 to buy a plain T-shirt, paints a picture of the pop star on it, sells it for $5, and uses all of his cash to buy nine more shirts. Then he recruits three friends to decorate them with his design and help sell them for an unspecified amount (from a conveniently free and empty street-fair booth) until they’re gone. The enterprising entrepreneur reimburses himself for the shirts and splits the remaining proceeds, which leaves him with enough for that poster as well as a “brand-new business book,” while his friends express other fiscal strategies: saving their share, spending it all on new art supplies, or donating part and buying a (math) book with the rest. (In a closing summation, the author also suggests investing in stocks, bonds, or cryptocurrency.) Though Miles cranks up the visual energy in her sparsely detailed illustrations by incorporating bright colors and lots of greenbacks, the actual advice feels a bit vague. Daymond is Black; most of the cast are people of color. (This book was reviewed digitally.)

It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists. (Picture book. 7-9)

Pub Date: March 21, 2023

ISBN: 978-0-593-56727-2

Page Count: 40

Publisher: Random House

Review Posted Online: Dec. 13, 2022

Kirkus Reviews Issue: Jan. 1, 2023

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THE VERY, VERY FAR NORTH

Quirky and imaginative—postmodern storytelling at its best.

Friendly curiosity and a gift for naming earn a polar bear an assortment of (mostly animal) friends, adventures, mishaps, and discoveries.

Arriving at a northern ocean, Duane spies a shipwreck. Swimming out to investigate, he meets its lone occupant, C.C., a learned snowy owl whose noble goal is acquiring knowledge to apply “toward the benefit of all.” Informing Duane that he’s a polar bear, she points out a nearby cave that might suit him—it even has a mattress. Adding furnishings from the wreck—the grandfather clock’s handless, but who needs to tell time when it’s always now?—he meets a self-involved musk ox, entranced by his own reflection, who’s delighted when Duane names him “Handsome.” As he comes to understand, then appreciate their considerable diversity, Duane brings out the best in his new friends. C.C., who has difficulty reading emotions and dislikes being touched, evokes the autism spectrum. Magic, a bouncy, impulsive arctic fox, manifests ADHD. Major Puff, whose proud puffin ancestry involves courageous retreats from danger, finds a perfect companion in Twitch, a risk-aware, common-sensical hare. As illustrated, Sun Girl, a human child, appears vaguely Native, and Squint, a painter, white, but they’re sui generis: The Canadian author avoids referencing human culture. The art conveys warmth in an icy setting; animal characters suggest beloved stuffed toys, gently reinforcing the message that friendship founded on tolerance breeds comfort and safety.

Quirky and imaginative—postmodern storytelling at its best. (Animal fantasy. 8-12)

Pub Date: Sept. 10, 2019

ISBN: 978-1-5344-3341-0

Page Count: 272

Publisher: Atheneum

Review Posted Online: May 7, 2019

Kirkus Reviews Issue: June 1, 2019

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