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RESIDENT ALIEN

THE NEW YORK DIARIES

Placidly whimsical observations by the ever-charming Crisp (Manners from Heaven, 1985, etc.) on his occasion-filled life as ``a free-loader, a dilettante, a butterfly on the wheel.'' Crisp writes reviews and essays, attends openings and parties, and entertains anyone who wishes to hear his opinions, from curious strangers to lecture-hall audiences. Here he tells us briefly about the books he read, plays and movies he attended, and other things he was invited to do from 1990 to 1994. These diaries, far from being especially intimate, are culled from a regular column he wrote for the New York Native. The 86-year-old author, an expatriate Briton, would have it that his urbane facade is all there is, that no unknown quirks of personality lurk beneath his flamboyantly gay, superhumanly gracious, and baroquely eloquent public persona. When a stranger calls him at his Manhattan rooming house to request a meeting, says Crisp, ``Whenever possible, I comply with his or her request on the principle that we should never say no to anything except an appeal for money.'' (He's listed in the phone book, so this happens rather often.) He acted as an extra in the film Philadelphia and played Queen Elizabeth I in Orlando, an experience he describes entirely as a war of endurance against his unwieldy costume. He made numerous trips around the country in order to give lectures and to promote a documentary about himself, Resident Alien; the author's pronouncements on the virtues of his adopted compatriots suggest that he is among the most generous-minded people alive. His wit is often mordant, which saves him from utter preciosity: ``I have always liked death, especially other people's death, but have recently been contemplating my own with a certain amount of relish.'' Admirers of the trademark Crisp style will be delighted, but it's difficult to fathom how he endures the relentless superficiality of much of his existence. (Author tour)

Pub Date: April 1, 1997

ISBN: 1-55583-405-1

Page Count: 240

Publisher: Alyson

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 1, 1997

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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I AM OZZY

An autobiography as toxic and addictive as any drug its author has ever ingested.

The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.

Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.

An autobiography as toxic and addictive as any drug its author has ever ingested.

Pub Date: Jan. 25, 2010

ISBN: 978-0-446-56989-7

Page Count: 320

Publisher: Grand Central Publishing

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2009

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