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RESIDENT ALIEN

THE NEW YORK DIARIES

Placidly whimsical observations by the ever-charming Crisp (Manners from Heaven, 1985, etc.) on his occasion-filled life as ``a free-loader, a dilettante, a butterfly on the wheel.'' Crisp writes reviews and essays, attends openings and parties, and entertains anyone who wishes to hear his opinions, from curious strangers to lecture-hall audiences. Here he tells us briefly about the books he read, plays and movies he attended, and other things he was invited to do from 1990 to 1994. These diaries, far from being especially intimate, are culled from a regular column he wrote for the New York Native. The 86-year-old author, an expatriate Briton, would have it that his urbane facade is all there is, that no unknown quirks of personality lurk beneath his flamboyantly gay, superhumanly gracious, and baroquely eloquent public persona. When a stranger calls him at his Manhattan rooming house to request a meeting, says Crisp, ``Whenever possible, I comply with his or her request on the principle that we should never say no to anything except an appeal for money.'' (He's listed in the phone book, so this happens rather often.) He acted as an extra in the film Philadelphia and played Queen Elizabeth I in Orlando, an experience he describes entirely as a war of endurance against his unwieldy costume. He made numerous trips around the country in order to give lectures and to promote a documentary about himself, Resident Alien; the author's pronouncements on the virtues of his adopted compatriots suggest that he is among the most generous-minded people alive. His wit is often mordant, which saves him from utter preciosity: ``I have always liked death, especially other people's death, but have recently been contemplating my own with a certain amount of relish.'' Admirers of the trademark Crisp style will be delighted, but it's difficult to fathom how he endures the relentless superficiality of much of his existence. (Author tour)

Pub Date: April 1, 1997

ISBN: 1-55583-405-1

Page Count: 240

Publisher: Alyson

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 1, 1997

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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