Comes up a little short on certain genre elements, but the pace and ambience are rock-solid.
In the distant future, a pair of skilled individuals seek a man harboring incriminating info on powerful men.
In Chauncey’s (The Hidden Society, 2017, etc.) sci-fi tale, set in the 31st century, Lyle Morton’s been working at the Department of Information for over 20 years. But Lyle isn’t his real name. After stumbling across dangerous information in the Hong Kong office, he faked his death to protect his family. Resurfacing and getting a job at the headquarters in Crown City, the capital (near Denver) of the United World Government, Lyle slowly and furtively compiled the classified info. Saved on a glass crystal, the particulars are damning to men in power known as the five, who’ve committed atrocities to maintain their positions in the United World. Aware of what someone’s stolen, the five, led by Paul Simpson, enlist two former employees to get it back: tracker/hunter Lee Adams and hacker Evelyn Summers. But their search is monitored by the five’s minions, who’ll most likely kill them once they find Lyle. But Lee and Evelyn hope to team up with Lyle and use the information against the five. Chauncey’s futuristic backdrop smartly feeds into fears of today—a lack of privacy; Lee and Evelyn go to great lengths to disable various tracking chips or devices. And though the five’s evil plot isn’t hard to figure out, especially with an early hint, the inevitable reveal makes the baddies suitably methodical. Some tech and corresponding jargon, however, is off. Com-cells (computer-cells) don’t differ much from smartphones, and characters use “download” for any information transfer, including uploads. Regardless, there’s plenty of action (someone’s pursuing someone else for much of the narrative), while possible dissension among the five only adds to the overall unease.
Comes up a little short on certain genre elements, but the pace and ambience are rock-solid.Pub Date: Nov. 15, 2016
ISBN: 978-1-5043-6976-3
Page Count: 626
Publisher: BalboaPress
Review Posted Online: Aug. 7, 2017
Review Program: Kirkus Indie
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Comparisons to The Hunger Games and Game of Thrones series are inevitable, for this tale has elements of both—fantasy, the...
Brown presents the second installment of his epic science-fiction trilogy, and like the first (Red Rising, 2014), it’s chock-full of interpersonal tension, class conflict and violence.
The opening reintroduces us to Darrow au Andromedus, whose wife, Eo, was killed in the first volume. Also known as the Reaper, Darrow is a lancer in the House of Augustus and is still looking for revenge on the Golds, who are both in control and in the ascendant. The novel opens with a galactic war game, seemingly a simulation, but Darrow’s opponent, Karnus au Bellona, makes it very real when he rams Darrow’s ship and causes a large number of fatalities. In the main narrative thread, Darrow has infiltrated the Golds and continues to seek ways to subvert their oppressive and dominant culture. The world Brown creates here is both dense and densely populated, with a curious amalgam of the classical, the medieval and the futuristic. Characters with names like Cassius, Pliny, Theodora and Nero coexist—sometimes uneasily—with Daxo, Kavax and Sevro. And the characters inhabit a world with a vaguely medieval social hierarchy yet containing futuristic technology such as gravBoots. Amid the chronological murkiness, one thing is clear—Darrow is an assertive hero claiming as a birthright his obligation to fight against oppression: "For seven hundred years we have been enslaved….We have been kept in darkness. But there will come a day when we walk in the light." Stirring—and archetypal—stuff.
Comparisons to The Hunger Games and Game of Thrones series are inevitable, for this tale has elements of both—fantasy, the future and quasi-historicism.Pub Date: Jan. 6, 2015
ISBN: 978-0-345-53981-6
Page Count: 448
Publisher: Del Rey/Ballantine
Review Posted Online: Oct. 22, 2014
Kirkus Reviews Issue: Nov. 1, 2014
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