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MIRACLE AT ANGELS BEND

A CONTEMPORARY TALE OF FINDING JOY THROUGH JESUS CHRIST

A page-turning and heartfelt novel of a group of average folks encountering a new side of their faith.

The lives of four characters are transformed by a mysterious Christian revelation in Bohlen’s novel.

The town of Angels Bend, Pennsylvania, is “nestled inside the protective arm of a large arc in the Susquehanna River, having a dense stand of timber on a steep slope directly opposite.” The narrative focuses on four main characters: Hannah, whose dreams of going into missionary work have been stymied by a tragic automobile accident that took the lives of her father and brother (Hannah was at the wheel); Josh, an aspiring musician who’s down on his luck and increasingly estranged from his family; office worker (and volunteer fire fighter) Dave, whose marriage to Ellen is strained by her mental health issues; and Larina, a journalist who’s the object of extramarital temptation for Dave, who’s tormented by both his feelings for her and by his concern for his erratic wife. (“He thought back to his twenties when he could imagine nothing more satisfying than being married. But what did he know about mental illness at age twenty-four?”) These four people find themselves linked both by the looming threat of wildfires and by a mysterious book—author and provenance unrevealed—that feelingly explores aspects of the Jesus story. The small cast of characters find their personal religious faiths challenged and re-affirmed by the tidings of this enigmatic book, even as the events of their lives—with attendant grief, guilt, doubt, and lust—unfold.

Bohlen does a very effective job of balancing all four of his main plotlines, never allowing one to dominate the others. He navigates the endemic narrative pitfalls of contemporary Christian fiction—including saccharine piety and unrealistic characters—with a good deal of skill; his people are largely believable, and he more often than not avoids the annoying straw-man caricatures that tend to provide the conflict in Christian fiction. There are lapses, as when readers are told that Hannah’s Psych 101 class describes “existentialism” as a worldview in which “nothing has purpose, nothing has meaning, things happen to you, and you’re just stuck in it, essentially alone and unloved,” adding, for good measure, “Good and evil are pragmatic, not moral. Nothing is fundamentally right or morally wrong.” More surprising are the frequent notes advocating humanistic self-care, such as, “The Lord doesn’t expect you to submit to abuse.” (This assertion is buttressed, as many of the book’s other points are, by a footnote: “Living with manipulative family members who are struggling with mental health or addiction issues is extremely taxing and can lead to severe effects on those around them.”) Bohlen is particularly empathetic when describing the transformative nature of Christian faith; Josh, for instance, feels “something worth holding on to. A soft, eternal Presence—long ago pushed to the basement of his soul.” This is a refreshingly straightforward and reality-focused example of Christian fiction, convincingly depicting everyday people with everyday problems who will be relatable to Bohlen’s audience. Christian readers will doubtless appreciate the author’s portrayal of the many ways the living current of their faith can find its way into their lives just when they need it most.

A page-turning and heartfelt novel of a group of average folks encountering a new side of their faith.

Pub Date: Oct. 4, 2024

ISBN: 9781956370287

Page Count: 315

Publisher: Carpenter's Son Publishing

Review Posted Online: May 23, 2024

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BURY OUR BONES IN THE MIDNIGHT SOIL

A beautiful meditation on queer identity against a supernatural backdrop.

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Three women deal very differently with vampirism in Schwab’s era-spanning follow-up to The Invisible Life of Addie LaRue (2020).

In 16th-century Spain, Maria seduces a wealthy viscount in an attempt to seize whatever control she can over her own life. It turns out that being a wife—even a wealthy one—is just another cage, but then a mysterious widow offers Maria a surprising escape route. In the 19th century, Charlotte is sent from her home in the English countryside to live with an aunt in London when she’s found trying to kiss her best friend. She’s despondent at the idea of marrying a man, but another mysterious widow—who has a secret connection to Maria’s widow from centuries earlier—appears and teaches Charlotte that she can be free to love whomever she chooses, if she’s brave enough. In 2019, Alice’s memories of growing up in Scotland with her mercurial older sister, Catty, pull her mind away from her first days at Harvard University. And though she doesn’t meet any mysterious widows, Alice wakes up alone after a one-night stand unable to tolerate sunlight, sporting two new fangs, and desperate to drink blood. Horrified at her transformation, she searches Boston for her hookup, who was the last person she remembers seeing before she woke up as a vampire. Schwab delicately intertwines the three storylines, which are compelling individually even before the reader knows how they will connect. Maria, Charlotte, and Alice are queer women searching for love, recognition, and wholeness, growing fangs and defying mortality in a world that would deny them their very existence. Alice’s flashbacks to Catty are particularly moving, and subtly play off themes of grief and loneliness laid out in the historical timelines.

A beautiful meditation on queer identity against a supernatural backdrop.

Pub Date: June 10, 2025

ISBN: 9781250320520

Page Count: 544

Publisher: Tor

Review Posted Online: March 22, 2025

Kirkus Reviews Issue: April 15, 2025

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THE WEDDING PEOPLE

Uneven but fitfully amusing.

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Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.

Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.

Uneven but fitfully amusing.

Pub Date: July 30, 2024

ISBN: 9781250899576

Page Count: 384

Publisher: Henry Holt

Review Posted Online: Sept. 13, 2024

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