A bracingly enthusiastic example of modern-day Christology.
A writer offers a celebration of the life and teachings of Jesus set against a contemporary backdrop.
Bohlen opens his well-designed nonfiction debut with an acknowledgement of an increasingly studied new reality. The heavy use of social media platforms like Facebook and Twitter almost invariably leads to a lessening of personal happiness. People, particularly the young, who view these apps excessively end up wasting time, feeling jealousy, and becoming impatient with media and books that demand longer concentration. Bohlen asserts that this “murky collection” of platforms makes people worse: “We become prideful, self-centered, and think we know better than God.” But, as the author lays out in his eloquent and inviting prose, the solution to this problem has been readily handy for 2,000 years: Christianity. “Once envisioned—no, experienced—the story of the life and teachings of Jesus Christ cannot be erased,” he writes. “Why? Because Jesus Christ adds the dimension of eternal light. In a tender, deeply satisfying way, it blows any IMAX movie experience out of the water.” In a narrative move that’s possibly quite wise considering the unprecedented rates at which young people of the “Twitter generation” are abandoning traditional religions, Bohlen largely sidelines the opening antagonist of social media and instead concentrates on celebrating the Jesus story, bringing to it a sense of passionate immediacy that makes all the elements of that narrative feel fresh. Focusing on the Nativity, he relates: “The Christ, born tonight? Generations have waited for this moment, and here it is, tonight?” In the book—which features beautiful, uncredited photographs—the author intersperses his recapitulations of New Testament stories with pedagogical insets (“Doctrinal Points to Ponder”) and explicitly instructional ones (“How It Applies to Me”). Bohlen takes readers through the famous moments of the New Testament because, as he puts it, “Jesus is the gold standard by which we can know what is good, what is wise, and what is truly important.” His Christian readers should love how he treats that gold standard.
A bracingly enthusiastic example of modern-day Christology.Pub Date: April 2, 2019
ISBN: 978-1-949572-00-1
Page Count: 256
Publisher: Carpenter's Son Publishing
Review Posted Online: Jan. 8, 2019
Review Program: Kirkus Indie
BOOK REVIEW
If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.
The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.
Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.
If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.Pub Date: Sept. 1, 1998
ISBN: 0-670-88146-5
Page Count: 430
Publisher: Viking
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 1998
BOOK REVIEW
BOOK REVIEW
BOOK TO SCREEN
This a book of earlier, philosophical essays concerned with the essential "absurdity" of life and the concept that- to overcome the strong tendency to suicide in every thoughtful man-one must accept life on its own terms with its values of revolt, liberty and passion. A dreary thesis- derived from and distorting the beliefs of the founders of existentialism, Jaspers, Heldegger and Kierkegaard, etc., the point of view seems peculiarly outmoded. It is based on the experience of war and the resistance, liberally laced with Andre Gide's excessive intellectualism. The younger existentialists such as Sartre and Camus, with their gift for the terse novel or intense drama, seem to have omitted from their philosophy all the deep religiosity which permeates the work of the great existentialist thinkers. This contributes to a basic lack of vitality in themselves, in these essays, and ten years after the war Camus seems unaware that the life force has healed old wounds... Largely for avant garde aesthetes and his special coterie.
Pub Date: Sept. 26, 1955
ISBN: 0679733736
Page Count: 228
Publisher: Knopf
Review Posted Online: Sept. 19, 2011
Kirkus Reviews Issue: Sept. 1, 1955
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