Moxon’s storyline isn’t easy to follow, but it makes for a tasty entertainment.


Sprawling, postmodern shaggy dog debut novel about a strange city made even stranger by new arrivals from the hinterlands.

Someplace in the decaying industrial heartland, inside a “gray donut of shuttered factories,” lies a place called “Loony Island,” most of whose residents live in Stalinist apartment blocks. The name is well earned if accidental, for in one of its quadrants stands a psychiatric hospital whose residents have been released to the streets, ministered to by an apparently self-appointed priest, bearded and denim-clad, who funds his church by means of a fat trust fund. Alas, Loony Island is run by a cabal of criminals who don’t have much time for the new insane constituency except to figure out how to rob them, of which Father Julius decidedly doesn’t approve. Among the bad guys are a would-be writer who’s “shit at it” and a young woman, tough as iron, who is far and away more competent than anyone else in the gang. Their efforts pale against the arrival of a very bad man from Pigeon Forge, Tennessee, home of Dollyworld and some very strange doings. Morris is on the trail of a young man named Gordy who appears to Father Julius as a flickering apparition. Morris, a Keyser Söze of the Smokies, drops his enemies, perceived and real, into “oubliettes,” or dungeonlike boxes, of which he is the proud inventor; it makes good sense, then, that he should tumble into a sewer whose manhole cover has been spirited away by the local tweakers. What Gordy has that Morris wants is—well, call it an instrument that allows “control over everything in the universe.” Against this background there are all sorts of memorable characters, including murderous rednecks from the Deliverance cutting-room floor, a bearded lady from a traveling circus, and the ever elusive Gordy’s worried father, who swears that he’ll never go back to Pigeon Forge as long as he lives. If the yarn doesn’t always add up and runs a bit long, it’s good fun to wind the characters up and watch them go.

Moxon’s storyline isn’t easy to follow, but it makes for a tasty entertainment.

Pub Date: Dec. 3, 2019

ISBN: 978-1-61219-798-2

Page Count: 608

Publisher: Melville House

Review Posted Online: Sept. 15, 2019

Kirkus Reviews Issue: Oct. 1, 2019

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A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.


Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z (2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 10, 2020

Kirkus Reviews Issue: March 1, 2020

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A breezy and fun contemporary fantasy.


A tightly wound caseworker is pushed out of his comfort zone when he’s sent to observe a remote orphanage for magical children.

Linus Baker loves rules, which makes him perfectly suited for his job as a midlevel bureaucrat working for the Department in Charge of Magical Youth, where he investigates orphanages for children who can do things like make objects float, who have tails or feathers, and even those who are young witches. Linus clings to the notion that his job is about saving children from cruel or dangerous homes, but really he’s a cog in a government machine that treats magical children as second-class citizens. When Extremely Upper Management sends for Linus, he learns that his next assignment is a mission to an island orphanage for especially dangerous kids. He is to stay on the island for a month and write reports for Extremely Upper Management, which warns him to be especially meticulous in his observations. When he reaches the island, he meets extraordinary kids like Talia the gnome, Theodore the wyvern, and Chauncey, an amorphous blob whose parentage is unknown. The proprietor of the orphanage is a strange but charming man named Arthur, who makes it clear to Linus that he will do anything in his power to give his charges a loving home on the island. As Linus spends more time with Arthur and the kids, he starts to question a world that would shun them for being different, and he even develops romantic feelings for Arthur. Lambda Literary Award–winning author Klune (The Art of Breathing, 2019, etc.) has a knack for creating endearing characters, and readers will grow to love Arthur and the orphans alongside Linus. Linus himself is a lovable protagonist despite his prickliness, and Klune aptly handles his evolving feelings and morals. The prose is a touch wooden in places, but fans of quirky fantasy will eat it up.

A breezy and fun contemporary fantasy.

Pub Date: March 17, 2020

ISBN: 978-1-250-21728-8

Page Count: 352

Publisher: Tor

Review Posted Online: Nov. 11, 2019

Kirkus Reviews Issue: Dec. 1, 2019

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