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CLARITY IS DYING

An uplifting story of a man revisiting his past to save the future for others.

In Franklin’s debut novel, an obscure mountain town engages in legal fisticuffs versus Los Angeles over ownership of Lake Clarity.

Ted Gables, attorney at a prestigious New York law firm, returns to California after his father has a stroke. His father had been heading a committee to save the diminishing Lake Clarity, a water source for LA. Charles Vegoran, a devious, politically ambitious lawyer working for the big city, allows the case to go to the state Supreme Court, against the mayor’s wishes. Vegoran, however, didn’t plan on Gables supporting his small town’s cause. The attorney’s research uncovers the fact that Gables, in his youth, had ties to a 50-year-old story of a band of outlaws dynamiting aqueducts near Clarity Craters to preserve the lake. Some characters, such as Gables’ girlfriend’s father, Hayden Lane, and businessman, Anthony Sorano, enter the story without enough exposition. On the other hand, Gables’ relationships with his girlfriend, Romie, and the girl he left behind, Skye, are given an understated but complete arc. Franklin’s novel initially feels like a series of flashbacks, and the striking backstory—Gables’ father blaming himself for his brother’s death and Ted befriending the feared street fighter in middle school—develops the characters, but it also stalls the main plot. At the same time, the various subplots have clear ties to Gables and the lake. It’s an effective method, forming a circular story that’s a constant reminder of Lake Clarity, where all the plotlines converge. The book shifts into second gear when the Supreme Court hears the case, and Sorano’s enforcers—a boxer and his manager—throw around some muscle to scare off the committee.

An uplifting story of a man revisiting his past to save the future for others.

Pub Date: Feb. 11, 2012

ISBN: N/A

Page Count: 576

Publisher: Richard Scott Franklin

Review Posted Online: June 19, 2012

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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A CONSPIRACY OF BONES

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.

A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Pub Date: March 17, 2020

ISBN: 978-1-9821-3888-2

Page Count: 352

Publisher: Scribner

Review Posted Online: Dec. 22, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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