A modern take on the Bluebeard fairy tale, complete with a chamber of horrors.
Fans seeing this title and this author’s name on the same cover will know to expect anything but the celebration of a happy marriage.
Yet Dinah and Joe Marino really are happy together. She’s a homicide detective with the LAPD; he’s a psychologist who left the police to open his own clinic. They may not have much of a sex life, but they’re so mindful, attentive, and solicitous of each other that, as Dinah says, “He’s the best part of my life, and I’m the best part of his.” So what if Dinah’s been hiding an easily guessed secret from Joe for all eight years of their marriage? So what if Joe wonders what it would be like to kill Dinah the way he’s killed those other women? After all, he’s not at all inclined to do it because she’s the perfect wife. The first cracks in their ice castle appear when Dinah, still mourning the death of her partner, Det. Oley Hugh, is assigned to investigate the death of Reese Bishop and learns that trainee detective Freddie Hodgkins will be tagging along with her. Freddie is full of ideas about the manner of Reese’s death—she seems to have overdosed months before she would have died of natural causes—and the disappearance of her daughter, Jessica, who never showed up at Chunky Mike’s, the ice cream parlor where she works. In fact, Jessica, whose point of view alternates with Dinah’s and Joe’s in a series of chapters as short and biting as lightning strikes, has descended into a hell that will eventually reveal unspeakable secrets about Dinah and Joe’s happy marriage.
A modern take on the Bluebeard fairy tale, complete with a chamber of horrors.Pub Date: June 24, 2025
ISBN: 9781662519598
Page Count: 254
Publisher: Thomas & Mercer
Review Posted Online: April 19, 2025
Kirkus Reviews Issue: May 15, 2025
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
Feeney improves on her debut with a taut suspense plot, many gleeful twists and turns, and suspects galore.
A news presenter and a police detective are brought together by murders in the British village where they both grew up.
There is precious little that can be revealed about the plot of Feeney’s third novel without spoilers, as the author has woven surprises and plot twists and suspicious linkages into nearly every one of her brief, first-person chapters, written in three alternating narrative voices. “Hers” is Anna Andrews, a wannabe anchor on a BBC news program whose lucky break comes when the body of one of her school friends is found brutally murdered in their hometown, a woodsy little spot called Blackdown. “His” is DCI Jack Harper, head of the Major Crime Team in Blackdown, where major crimes were rather few until now. The third is unnamed but clearly the killer’s. Happily, none of the three is an unreliable narrator—good thing because plenty of people are sick of that—but none is exactly 100% forthcoming either. Which only makes sense, because you can't have reveals without secrets. In a small town like Blackdown, everybody knows everybody, so it’s not too surprising that Anna and Jack have a tragic past or that each has connections to all the victims and suspects while not being totally free from suspicion themselves. Who is that sneaky third narrator? On the way to figuring that out, expect high school mean girls, teen lesbian action, mutilated corpses, nasty things happening to kittens, and—as seems de rigueur in British thrillers—plenty of drinking and wisecracks, sometimes in tandem. “Sadly, my sister has the same taste in wine as she does in men; too cheap, too young, and headache-inducing.”
Feeney improves on her debut with a taut suspense plot, many gleeful twists and turns, and suspects galore.Pub Date: July 28, 2020
ISBN: 978-1-250-26608-8
Page Count: 320
Publisher: Flatiron Books
Review Posted Online: May 3, 2020
Kirkus Reviews Issue: May 15, 2020
BOOK TO SCREEN
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