From the author of Bus People (1992), another perceptive, unsentimental depiction of a child emotionally abandoned by her parents. Gloria, Dot's mum, isn't evil; but she's very young, thoughtless, and overwhelmed. Since Anderson skillfully maintains Dot's viewpoint, Gloria's troubles are poignantly enigmatic, to be interpreted as if by a six-year-old who's been taught nothing but who's absorbed the slogans and fears rife in WW II London: not until the end do we know that Dot's dad, traumatized by the military, has been in an asylum; and we never learn whether Gloria's absences, when she leaves Dot in the care of a landlady of Dickensian meanness, are only selfish, or worse. When ``Baby,'' Dot's brother, dies in hospital, no one tells Dot what's really happened, so when she falls ill and goes to the same hospital she has real reason to be frightened; even losing her first tooth is totally unexpected and alarming. There are two idyllic interludes in her bleak existence: Gloria has a friend in the country, a wholesome and compassionate woman who has taken her in before; visits on her farm expand Dot's horizons (she even learns to read there) and help her form a resolve; and when Dad comes home, though he's vacant and withdrawn, Dot clings to the hope that she and her parents will become a real family. A spare, wonderfully evocative picture of Britain in the hard times following the war—and of one small survivor creating her own life, from virtually nothing. (Fiction. 10+)
Pub Date: Nov. 1, 1993
ISBN: 0-8050-2527-8
Page Count: 150
Publisher: Henry Holt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 1993
BOOK REVIEW
BOOK REVIEW
A world-class charmer, Clements (The Janitor’s Boy, 2000, etc.) woos aspiring young authors—as well as grown up publishers, editors, agents, parents, teachers, and even reviewers—with this tongue-in-cheek tale of a 12-year-old novelist’s triumphant debut. Sparked by a chance comment of her mother’s, a harried assistant editor for a (surely fictional) children’s imprint, Natalie draws on deep reserves of feeling and writing talent to create a moving story about a troubled schoolgirl and her father. First, it moves her pushy friend Zoe, who decides that it has to be published; then it moves a timorous, second-year English teacher into helping Zoe set up a virtual literary agency; then, submitted pseudonymously, it moves Natalie’s unsuspecting mother into peddling it to her waspish editor-in-chief. Depicting the world of children’s publishing as a delicious mix of idealism and office politics, Clements squires the manuscript past slush pile and contract, the editing process, and initial buzz (“The Cheater grabs hold of your heart and never lets go,” gushes Kirkus). Finally, in a tearful, joyous scene—carefully staged by Zoe, who turns out to be perfect agent material: cunning, loyal, devious, manipulative, utterly shameless—at the publication party, Natalie’s identity is revealed as news cameras roll. Selznick’s gnomic, realistic portraits at once reflect the tale’s droll undertone and deftly capture each character’s distinct personality. Terrific for flourishing school writing projects, this is practical as well as poignant. Indeed, it “grabs hold of yourheart and never lets go.” (Fiction. 10-12)
Pub Date: June 1, 2001
ISBN: 0-689-82594-3
Page Count: 160
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 2001
The inevitable go-to for Percy’s legions of fans who want the stories behind his stories.
Percy Jackson takes a break from adventuring to serve up the Greek gods like flapjacks at a church breakfast.
Percy is on form as he debriefs readers concerning Chaos, Gaea, Ouranos and Pontus, Dionysus, Ariadne and Persephone, all in his dude’s patter: “He’d forgotten how beautiful Gaea could be when she wasn’t all yelling up in his face.” Here they are, all 12 Olympians, plus many various offspring and associates: the gold standard of dysfunctional families, whom Percy plays like a lute, sometimes lyrically, sometimes with a more sardonic air. Percy’s gift, which is no great secret, is to breathe new life into the gods. Closest attention is paid to the Olympians, but Riordan has a sure touch when it comes to fitting much into a small space—as does Rocco’s artwork, which smokes and writhes on the page as if hit by lightning—so readers will also meet Makaria, “goddess of blessed peaceful deaths,” and the Theban Teiresias, who accidentally sees Athena bathing. She blinds him but also gives him the ability to understand the language of birds. The atmosphere crackles and then dissolves, again and again: “He could even send the Furies after living people if they committed a truly horrific crime—like killing a family member, desecrating a temple, or singing Journey songs on karaoke night.”
The inevitable go-to for Percy’s legions of fans who want the stories behind his stories. (Mythology. 10-14)Pub Date: Aug. 19, 2014
ISBN: 978-1-4231-8364-8
Page Count: 336
Publisher: Disney-Hyperion
Review Posted Online: June 28, 2014
Kirkus Reviews Issue: July 15, 2014
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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