YOU KNOW WHERE TO FIND ME

Pudgy, pierced, eye-lined Miles and her beautiful, slender cousin Laura were inseparable, raised as sisters in an idyllic mansion in a posh neighborhood of Georgetown. Despite her angelic appearance, Laura’s depression takes hold and she unexpectedly offs herself with a handful of pills the summer before her senior year. As a result, Miles’s physical and emotional existence veers deep into drug use, self-destructive behavior and depression. Cohn’s slick, upbeat, urban prose intensifies the sharply drawn characters that frame Miles’s world: her smooth-talking African-American best friend and crush Jamal, Miles’s goofy, rehabbed sandwich-master dad and the elusive presence of Laura, which haunts the novel’s pages like a ghost. Miles’s own voice is defiantly admirable, full of dark, black venom and determined convictions. She isn’t all doom and gloom, though, and her vulnerabilities subtly seep through with Cohn’s signature beat: disco, cigarettes, M&Ms and books. The author nails the setting too: Racial lines, socio-economics, politics, war and the sticky, sweltering heat of a summer in D.C. all fuel her descent. What results isn’t just a story about overcoming sorrow, but rather one of a girl raging against the world and herself, waiting for someone to help her make sense of it all. (Fiction. YA)

Pub Date: March 4, 2008

ISBN: 978-0-689-87859-6

Page Count: 208

Publisher: Simon & Schuster

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Feb. 15, 2008

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Many teen novels touch on similar themes, but few do it so memorably.

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ALL THE BRIGHT PLACES

Two struggling teens develop an unlikely relationship in a moving exploration of grief, suicide and young love.

Violet, a writer and member of the popular crowd, has withdrawn from her friends and from school activities since her sister died in a car accident nine months earlier. Finch, known to his classmates as "Theodore Freak," is famously impulsive and eccentric. Following their meeting in the school bell tower, Finch makes it his mission to re-engage Violet with the world, partially through a school project that sends them to offbeat Indiana landmarks and partially through simple persistence. (Violet and Finch live, fortunately for all involved, in the sort of romantic universe where his throwing rocks at her window in the middle of the night comes off more charming than stalker-esque.) The teens alternate narration chapter by chapter, each in a unique and well-realized voice. Finch's self-destructive streak and suicidal impulses are never far from the surface, and the chapters he narrates are interspersed with facts about suicide methods and quotations from Virginia Woolf and poet Cesare Pavese. When the story inevitably turns tragic, a cast of carefully drawn side characters brings to life both the pain of loss and the possibility of moving forward, though some notes of hope are more believable than others.

Many teen novels touch on similar themes, but few do it so memorably. (Fiction. 14 & up)

Pub Date: Jan. 6, 2015

ISBN: 978-0-385-75588-7

Page Count: 400

Publisher: Knopf

Review Posted Online: Oct. 1, 2014

Kirkus Reviews Issue: Oct. 15, 2014

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A treat for mystery readers who enjoy being kept in suspense.

A GOOD GIRL'S GUIDE TO MURDER

Everyone believes that Salil Singh killed his girlfriend, Andrea Bell, five years ago—except Pippa Fitz-Amobi.

Pip has known and liked Sal since childhood; he’d supported her when she was being bullied in middle school. For her senior capstone project, Pip researches the disappearance of former Fairview High student Andie, last seen on April 18, 2014, by her younger sister, Becca. The original investigation concluded with most of the evidence pointing to Sal, who was found dead in the woods, apparently by suicide. Andie’s body was never recovered, and Sal was assumed by most to be guilty of abduction and murder. Unable to ignore the gaps in the case, Pip sets out to prove Sal’s innocence, beginning with interviewing his younger brother, Ravi. With his help, Pip digs deeper, unveiling unsavory facts about Andie and the real reason Sal’s friends couldn’t provide him with an alibi. But someone is watching, and Pip may be in more danger than she realizes. Pip’s sleuthing is both impressive and accessible. Online articles about the case and interview transcripts are provided throughout, and Pip’s capstone logs offer insights into her thought processes as new evidence and suspects arise. Jackson’s debut is well-executed and surprises readers with a connective web of interesting characters and motives. Pip and Andie are white, and Sal is of Indian descent.

A treat for mystery readers who enjoy being kept in suspense. (Mystery. 14-18)

Pub Date: Feb. 4, 2020

ISBN: 978-1-9848-9636-0

Page Count: 400

Publisher: Delacorte

Review Posted Online: Oct. 28, 2019

Kirkus Reviews Issue: Dec. 1, 2019

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