A humorous tale that pleasantly encourages good dental habits.
A children’s picture book with rhyming verse that explains how brushing and flossing help the Tooth Fairy’s mission.
Kids around the country are expecting a visit from the Tooth Fairy, but they wake up to find no gifts beneath their pillows. Where could she have gone? No one seems to know; competing theories assert that she simply forgot to come, or ran out of money, or went on vacation. But the Tooth Fairy explains the reason for her absence in a letter asking kids to “Please try to remember / I’m only one fairy” and that “When teeth are not clean / they are harder to carry,” because plaque, food, and “sugar bugs” make them heavy. In response, the children vow to brush and floss regularly. In her second dental-oriented picture book, hygienist Grider links healthy habits to rewards in a kid-friendly, nonscolding way. The Tooth Fairy’s rationale for good dental care makes enough sense to make the lesson stick, and it’s helped by enjoyably skillful rhyme and meter. An accompanying activity section includes a word search, a missing-tooth diagram, and a chart to track brushing and flossing. The charming acrylic-paint illustrations by Morrison depict adorable kids of various skin colors and a pale-skinned fairy with blue-white hair.
A humorous tale that pleasantly encourages good dental habits.Pub Date: N/A
ISBN: N/A
Page Count: 14
Publisher: Red Bow Books
Review Posted Online: Jan. 21, 2021
Kirkus Reviews Issue: April 1, 2021
Review Program: Kirkus Indie
BOOK REVIEW
PERSPECTIVES
A lushly illustrated homage to librarians who provide a welcome and a home away from home for all who enter.
A love letter to libraries.
A Black child, with hair in two puffballs tied with yellow ribbons, a blue dress with a Peter Pan collar, and black patent leather Mary Janes, helps Grandmother with the housework, then, at Grandmother’s suggestion, heads to the library. The child’s eagerness to go, with two books under an arm and one in their hand, suggests that this is a favorite destination. The books’ wordless covers emphasize their endless possibilities. The protagonist’s description of the library makes clear that they are always free to be themselves there—whether they feel happy or sad, whether they’re reading mysteries or recipes, and whether they feel “quick and smart” or “contained and cautious.” Robinson’s vibrant, carefully composed digital illustrations, with bright colors that invite readers in and textures and patterns in every image, effectively capture the protagonist’s passion for reading and appreciation for a space where they feel accepted regardless of disposition. In her author’s note, Giovanni states that she spent summers visiting her grandmother in Knoxville, Tennessee, where she went to the Carnegie Branch of the Lawson McGhee Library. She expresses gratitude for Mrs. Long, the librarian, who often traveled to the main library to get books that Giovanni could not find in their segregated branch. (This book was reviewed digitally.)
A lushly illustrated homage to librarians who provide a welcome and a home away from home for all who enter. (Picture book. 4-7)Pub Date: Sept. 27, 2022
ISBN: 978-0-358-38765-7
Page Count: 32
Publisher: Versify/HarperCollins
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
SEEN & HEARD
Echoes of Runaway Bunny color this exchange between a bath-averse piglet and his patient mother. Using a strategy that would probably be a nonstarter in real life, the mother deflects her stubborn offspring’s string of bath-free occupational conceits with appeals to reason: “Pirates NEVER EVER take baths!” “Pirates don’t get seasick either. But you do.” “Yeesh. I’m an astronaut, okay?” “Well, it is hard to bathe in zero gravity. It’s hard to poop and pee in zero gravity too!” And so on, until Mom’s enticing promise of treasure in the deep sea persuades her little Treasure Hunter to take a dive. Chunky figures surrounded by lots of bright white space in Segal’s minimally detailed watercolors keep the visuals as simple as the plotline. The language isn’t quite as basic, though, and as it rendered entirely in dialogue—Mother Pig’s lines are italicized—adult readers will have to work hard at their vocal characterizations for it to make any sense. Moreover, younger audiences (any audiences, come to that) may wonder what the piggy’s watery closing “EUREKA!!!” is all about too. Not particularly persuasive, but this might coax a few young porkers to get their trotters into the tub. (Picture book. 4-6)
Pub Date: March 1, 2011
ISBN: 978-0-399-25425-3
Page Count: 32
Publisher: Philomel
Review Posted Online: Jan. 25, 2011
Kirkus Reviews Issue: Feb. 1, 2011
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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