A must-read modern romance that emphasizes silliness and sexiness in equal parts. Solomon’s best yet.
A ghostwriter and a C-list actor supplement their working relationship with lessons in seduction.
Chandler Cohen is a ghostwriter, and her insecurities about her work only grow larger when an author whose memoir she wrote fails to recognize her at their launch event. In need of commiseration, she strikes up a conversation with a fellow event attendee. Following an immediate attraction, they cap off the night with a surprisingly mediocre one-night stand. Her next assignment is yet another celebrity memoir, this one written with Finn Walsh, known mostly for playing the nerdy character in a werewolf drama with a cult following. It turns out that he was also her lackluster hookup. At first, they agree to keep things professional, but when Finn learns that Chandler was left unsatisfied by his bedroom prowess, he seeks to spice up their arrangement: Perhaps Chandler could improve not only his memoir, but his seduction skills as well. He thinks getting Chandler to go along with this plan is a long shot, but she readily agrees. It’s always a pleasure to see the woman in a heterosexual couple being more experienced in intimate matters and having no problem communicating her desires. Chandler knows she deserves better at work and in her romantic life, and it’s a joy to root for her as she makes changes for her own happiness and independence. Finn is pretty close to the definition of a cinnamon-roll hero; he’s genuine, communicative, and has an earnest desire to make sure Chandler feels seen and heard in all aspects of their nebulous relationship. Solomon consistently balances spicy and sweet, making her romance novels a sure bet for a good read.
A must-read modern romance that emphasizes silliness and sexiness in equal parts. Solomon’s best yet.Pub Date: July 4, 2023
ISBN: 9780593548530
Page Count: 384
Publisher: Berkley
Review Posted Online: May 24, 2023
Kirkus Reviews Issue: June 15, 2023
PERSPECTIVES
Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of...
Hoover’s (November 9, 2015, etc.) latest tackles the difficult subject of domestic violence with romantic tenderness and emotional heft.
At first glance, the couple is edgy but cute: Lily Bloom runs a flower shop for people who hate flowers; Ryle Kincaid is a surgeon who says he never wants to get married or have kids. They meet on a rooftop in Boston on the night Ryle loses a patient and Lily attends her abusive father’s funeral. The provocative opening takes a dark turn when Lily receives a warning about Ryle’s intentions from his sister, who becomes Lily’s employee and close friend. Lily swears she’ll never end up in another abusive home, but when Ryle starts to show all the same warning signs that her mother ignored, Lily learns just how hard it is to say goodbye. When Ryle is not in the throes of a jealous rage, his redeeming qualities return, and Lily can justify his behavior: “I think we needed what happened on the stairwell to happen so that I would know his past and we’d be able to work on it together,” she tells herself. Lily marries Ryle hoping the good will outweigh the bad, and the mother-daughter dynamics evolve beautifully as Lily reflects on her childhood with fresh eyes. Diary entries fancifully addressed to TV host Ellen DeGeneres serve as flashbacks to Lily’s teenage years, when she met her first love, Atlas Corrigan, a homeless boy she found squatting in a neighbor’s house. When Atlas turns up in Boston, now a successful chef, he begs Lily to leave Ryle. Despite the better option right in front of her, an unexpected complication forces Lily to cut ties with Atlas, confront Ryle, and try to end the cycle of abuse before it’s too late. The relationships are portrayed with compassion and honesty, and the author’s note at the end that explains Hoover’s personal connection to the subject matter is a must-read.
Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of the survivors.Pub Date: Aug. 2, 2016
ISBN: 978-1-5011-1036-8
Page Count: 320
Publisher: Atria
Review Posted Online: May 30, 2016
Kirkus Reviews Issue: June 15, 2016
SEEN & HEARD
SEEN & HEARD
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.
The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.
Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.Pub Date: Oct. 18, 2022
ISBN: 978-1-668-00122-6
Page Count: 352
Publisher: Atria
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
SEEN & HEARD
SEEN & HEARD
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