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THE FLOATING ISLANDS

Intelligent, richly detailed fantasy featuring two young cousins battered by losses, personal passions and larger events. Shy, inarticulate, recently orphaned and newly arrived in the aptly named Floating Islands, Trei is transformed by the rare chance to strap on a pair of feathered wings and join the legendary corps of soaring kajuraihi. For his fiercely intense cousin Araenè, constraints on women are but annoying obstacles to be overcome in pursuing first the forbidden (to women) culinary arts and then the magical abilities that well up in her, all unbidden, in the wake of a family tragedy of her own. The arrival of an expanding empire's invasion fleet, augmented by a new, mechanically powered magic, propels Trei and Araenè into actions that test their courage, loyalties and cleverness to the utmost. The author delineates complex characters, geographies and societies alike with a dab hand, deftly weaves them all—along with dragons of several sorts, mouthwatering kitchen talk, flashes of humor and a late-blooming romance—into a suspenseful plot and delivers an outstanding tale that is self-contained but full of promise for sequels. (Fantasy. 12-14)

 

Pub Date: Feb. 8, 2011

ISBN: 978-0-375-84705-9

Page Count: 400

Publisher: Knopf

Review Posted Online: Dec. 22, 2010

Kirkus Reviews Issue: Dec. 15, 2010

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ONCE A QUEEN

Evocations of Narnia are not enough to salvage this fantasy, which struggles with thin character development.

A portal fantasy survivor story from an established devotional writer.

Fourteen-year-old Eva’s maternal grandmother lives on a grand estate in England; Eva and her academic parents live in New Haven, Connecticut. When she and Mum finally visit Carrick Hall, Eva is alternately resentful at what she’s missed and overjoyed to connect with sometimes aloof Grandmother. Alongside questions of Eva’s family history, the summer is permeated by a greater mystery surrounding the work of fictional children’s fantasy writer A.H.W. Clifton, who wrote a Narnialike series that Eva adores. As it happens, Grandmother was one of several children who entered and ruled Ternival, the world of Clifton’s books; the others perished in 1952, and Grandmother hasn’t recovered. The Narnia influences are strong—Eva’s grandmother is the Susan figure who’s repudiated both magic and God—and the ensuing trauma has created rifts that echo through her relationships with her daughter and granddaughter. An early narrative implication that Eva will visit Ternival to set things right barely materializes in this series opener; meanwhile, the religious parable overwhelms the magic elements as the story winds on. The serviceable plot is weakened by shallow characterization. Little backstory appears other than that which immediately concerns the plot, and Eva tends to respond emotionally as the story requires—resentful when her seething silence is required, immediately trusting toward characters readers need to trust. Major characters are cued white.

Evocations of Narnia are not enough to salvage this fantasy, which struggles with thin character development. (author’s note, map, author Q&A) (Religious fantasy. 12-14)

Pub Date: Jan. 30, 2024

ISBN: 9780593194454

Page Count: 384

Publisher: WaterBrook

Review Posted Online: Oct. 21, 2023

Kirkus Reviews Issue: Nov. 15, 2023

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BRIARHEART

Sweet, if unremarkable.

A gentle “Sleeping Beauty”–inspired tale of teens training to defend a baby princess.

Fifteen-year-old Miri, beloved stepdaughter of the king, is freshly in love—with her baby sister. As the novel opens, Aurora’s christening looms, and any Disney fan will know what’s coming. However, this is Miri’s story, and pages of first-person description and exposition come before those events. Tirendell, like all kingdoms, has Light and Dark Fae. Dark Fae feed off human misery and sadness, but their desire to cause harm for self-benefit is tempered by the Rules. The Rules state that they can only act against humans under certain conditions, one being that those who have crossed them, for example, by failing to invite them to a royal christening, are fair game. Miri steps up instinctively at the moment of crisis and both deflects the curse and destroys the Dark Fae, which leads to the bulk of the novel: an extended and detailed day-to-day journey with Miri and her five largely indistinguishable new friends as they train in combat and magic to protect Aurora from future threats. With limited action and a minimal plot, this story lacks wide appeal but is notable for the portrait of deep familial love and respect, while the brief, episodic adventures (including talking animals) offer small pleasures. All characters are implied to be White.

Sweet, if unremarkable. (Fantasy. 12-14)

Pub Date: Oct. 5, 2021

ISBN: 978-0-7595-5745-1

Page Count: 368

Publisher: Little, Brown

Review Posted Online: Aug. 17, 2021

Kirkus Reviews Issue: Sept. 1, 2021

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