A cautionary, comprehensive look at money and its virtual discontents.
A scholarly investigation of the role of online tokens, which “are both more and less than money.”
O’Dwyer, an Irish lecturer in digital cultures, examines a question that yields complex answers: What is money, and how does it differ from other significations of value? A classic example of the latter are the giant stones of Yap, the Micronesian island, which have been shorthanded as “primitive” money. Not quite so, writes the author: The stones are really “value contracts” that constitute “an invisible ledger held in trust by the Yapese community.” When one fell into the sea while being transported from a neighboring island, all agreed that the stone retained its value as a measure against which to gauge transactions. Consider how blockchain works, and consider how “non-fungible tokens” are given a value that doesn’t align with commonsense economics, and those primitive measures suddenly don’t seem so primitive after all. Today, writes O’Dwyer, tokens “can be used to market insubstantial things—famous people’s farts, virtual kittens, skins in Fortnite—to make ephemeral things solid enough to enter the economy,” whereas money stands for solid things that circulate in proxy, such as the bars of gold tucked away in Fort Knox. Cryptocurrency, the accoutrements players buy in Second Life, NFTs—all are something like money, yet something not like it, too. Whatever they are, O’Dwyer observes, tokens come at great cost—not to the money economy, per se, but instead to the environment. “In 2006,” writes the author, “the average Second Life avatar consumed more electricity than the average Brazilian.” What’s more, she notes, the famous anonymity of cryptocurrency is not the norm in the token world. Where cash can change hands unrecorded, most electronic transactions are so thoroughly tracked that such things as “Venmo stalking” have lately become commonplace.
A cautionary, comprehensive look at money and its virtual discontents.Pub Date: Oct. 3, 2023
ISBN: 9781839768347
Page Count: 320
Publisher: Verso
Review Posted Online: Aug. 11, 2023
Kirkus Reviews Issue: Sept. 1, 2023
Maher calls out idiocy wherever he sees it, with a comedic delivery that veers between a stiletto and a sledgehammer.
The comedian argues that the arts of moderation and common sense must be reinvigorated.
Some people are born snarky, some become snarky, and some have snarkiness thrust upon them. Judging from this book, Maher—host of HBO’s Real Time program and author of The New New Rules and When You Ride Alone, You Ride With bin Laden—is all three. As a comedian, he has a great deal of leeway to make fun of people in politics, and he often delivers hilarious swipes with a deadpan face. The author describes himself as a traditional liberal, with a disdain for Republicans (especially the MAGA variety) and a belief in free speech and personal freedom. He claims that he has stayed much the same for more than 20 years, while the left, he argues, has marched toward intolerance. He sees an addiction to extremism on both sides of the aisle, which fosters the belief that anyone who disagrees with you must be an enemy to be destroyed. However, Maher has always displayed his own streaks of extremism, and his scorched-earth takedowns eventually become problematic. The author has something nasty to say about everyone, it seems, and the sarcastic tone starts after more than 300 pages. As has been the case throughout his career, Maher is best taken in small doses. The book is worth reading for the author’s often spot-on skewering of inept politicians and celebrities, but it might be advisable to occasionally dip into it rather than read the whole thing in one sitting. Some parts of the text are hilarious, but others are merely insulting. Maher is undeniably talented, but some restraint would have produced a better book.
Maher calls out idiocy wherever he sees it, with a comedic delivery that veers between a stiletto and a sledgehammer.Pub Date: May 21, 2024
ISBN: 9781668051351
Page Count: 384
Publisher: Simon & Schuster
Review Posted Online: March 5, 2024
Kirkus Reviews Issue: April 1, 2024
BOOK REVIEW
BOOK REVIEW
A fierce, penetrating, and empowering call for change.
Artist and activist Vaid-Menon demonstrates how the normativity of the gender binary represses creativity and inflicts physical and emotional violence.
The author, whose parents emigrated from India, writes about how enforcement of the gender binary begins before birth and affects people in all stages of life, with people of color being especially vulnerable due to Western conceptions of gender as binary. Gender assignments create a narrative for how a person should behave, what they are allowed to like or wear, and how they express themself. Punishment of nonconformity leads to an inseparable link between gender and shame. Vaid-Menon challenges familiar arguments against gender nonconformity, breaking them down into four categories—dismissal, inconvenience, biology, and the slippery slope (fear of the consequences of acceptance). Headers in bold font create an accessible navigation experience from one analysis to the next. The prose maintains a conversational tone that feels as intimate and vulnerable as talking with a best friend. At the same time, the author's turns of phrase in moments of deep insight ring with precision and poetry. In one reflection, they write, “the most lethal part of the human body is not the fist; it is the eye. What people see and how people see it has everything to do with power.” While this short essay speaks honestly of pain and injustice, it concludes with encouragement and an invitation into a future that celebrates transformation.
A fierce, penetrating, and empowering call for change. (writing prompt) (Nonfiction. 14-adult)Pub Date: June 2, 2020
ISBN: 978-0-593-09465-5
Page Count: 64
Publisher: Penguin Workshop
Review Posted Online: March 14, 2020
Kirkus Reviews Issue: April 1, 2020
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