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MOLOTOV'S MAGIC LANTERN

TRAVELS IN RUSSIAN HISTORY

A meandering, reflective, satisfying, intimate discovery of Russian history—though it may be too academic for many general...

Journalist Polonsky (English Literature and the Russian Aesthetic Renaissance, 1998) steps back into a near-vanished world of Soviet and Russian history.

Having moved to Moscow from England, the author and her family lived on Romanov Lane, in the apartment just below where Stalin’s henchman Vyacheslav Molotov resided during the last years of his life (d. 1986). Polonsky was invited by the current resident to poke around the flat, and through his library she was able to illuminate “discrete moments” from Russian history as through a magic lantern: “Russian history and the Russian present have revealed themselves to me in glimpses,” she writes, “through a narrow lens, like the faded images waiting for light in this antique slide projector.” She was spurred in her scholarly pursuits by her own intensive reading. Throughout the narrative, she returns to her favorite works, including Walter Benjamin’s Moscow Diary, Dostoevsky’s novels and the poetry of Osip Mandelstam. Romanav Lane was the rarefied address, successively, of the Russian aristocracy of “old Moscow,” intriguers during the Revolution, the Soviet nomenklatura and today’s wealthy financiers. Polonsky ventured on expeditions to far-flung cities such as Lutsino, a dacha colony above the hills of Moscow where distinguished scientists loyal to the Soviet state were offered summer homes; Mozzhinka, where Stalin’s reluctant president of the Academy of Sciences, Sergei Vavilov, wrote his private memoirs; and some of the sites sacred to Chekhov, a favorite writer of Molotov as well as the author. She also visited Vologda, where “any individual who ever opposed the power of the state is likely to have passed through”; the northern cities of Archangel and Murmansk; and several Siberian towns—all in search of swiftly disappearing traces of these complicated, tragic lives.

A meandering, reflective, satisfying, intimate discovery of Russian history—though it may be too academic for many general readers.

Pub Date: Jan. 11, 2011

ISBN: 978-0-374-21197-4

Page Count: 416

Publisher: Farrar, Straus and Giroux

Review Posted Online: Sept. 3, 2010

Kirkus Reviews Issue: Oct. 1, 2010

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THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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