by Rachel Toor ‧ RELEASE DATE: June 10, 2014
Warm, funny and wise.
In a light and gently humorous romance, self-centered Alice learns to run, to cope with disappointment and to consider other people’s feelings.
Alice is heartsick after Yale rejects her Early Action application. However, as a family friend both wise and wisecracking points out in a heavy-handed but nonetheless insightful speech, her crushed feeling is less about Yale itself than about not having gotten her own way. Stubborn, snarky and sometimes glaringly un–self-aware, Alice has a smart retort for everything her mom, dad or family friend Walter tries to tell or offer her. She is kinder to Jenni, the best friend for whom Alice’s parents serve as a sort of surrogate family, but astute readers will notice the imbalances in the pair’s relationship long before Jenni herself points them out. What keeps readers engaged with Alice is her devotion to her beloved pet rat, a comical, curious and deeply lovable creature also named Walter, who inspires enthusiastic and endearing rat-related asides to readers. As Alice follows up on her hastily made New Year’s resolution to start running and meets the kind and driven head of a running shop as well as a down-to-earth and dreamy boy runner, her growth is palpable. Lessons—of the life-skills variety and the SAT-vocabulary variety—are many, but the vibrant characters and lively dialogue make them easy to digest.
Warm, funny and wise. (Fiction. 12-18)Pub Date: June 10, 2014
ISBN: 978-0-374-30014-2
Page Count: 320
Publisher: Farrar, Straus and Giroux
Review Posted Online: April 29, 2014
Kirkus Reviews Issue: May 15, 2014
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by Daniel Aleman ‧ RELEASE DATE: May 4, 2021
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
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by Kathleen Glasgow ‧ RELEASE DATE: Aug. 30, 2016
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression.
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New York Times Bestseller
After surviving a suicide attempt, a fragile teen isn't sure she can endure without cutting herself.
Seventeen-year-old Charlie Davis, a white girl living on the margins, thinks she has little reason to live: her father drowned himself; her bereft and abusive mother kicked her out; her best friend, Ellis, is nearly brain dead after cutting too deeply; and she's gone through unspeakable experiences living on the street. After spending time in treatment with other young women like her—who cut, burn, poke, and otherwise hurt themselves—Charlie is released and takes a bus from the Twin Cities to Tucson to be closer to Mikey, a boy she "like-likes" but who had pined for Ellis instead. But things don't go as planned in the Arizona desert, because sweet Mikey just wants to be friends. Feeling rejected, Charlie, an artist, is drawn into a destructive new relationship with her sexy older co-worker, a "semifamous" local musician who's obviously a junkie alcoholic. Through intense, diarylike chapters chronicling Charlie's journey, the author captures the brutal and heartbreaking way "girls who write their pain on their bodies" scar and mar themselves, either succumbing or surviving. Like most issue books, this is not an easy read, but it's poignant and transcendent as Charlie breaks more and more before piecing herself back together.
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression. (author’s note) (Fiction. 14 & up)Pub Date: Aug. 30, 2016
ISBN: 978-1-101-93471-5
Page Count: 416
Publisher: Delacorte
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: May 15, 2016
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