SPEAKING OUT

QUEER YOUTH IN FOCUS

An important work for queer youth and those who support them as the future they represent.

Art, activism, individuality: the spectrum of queer youth, speaking in their own words.

Smith presents her artwork as a photographic essay exploring the amazing diversity among young people (all 14 to 24 at the time of their photographs) identifying themselves as queer, gay, lesbian, transgender, bisexual or questioning. Originally displayed in 2007 at the opening of the then-new campaign headquarters of the Human Rights Campaign as “Pride/Prejudice: Voices of GLBT Youth,” all the photographs for this collection were taken against a white background. The subjects were asked to write something, anything, about themselves, their opinions, viewpoints or experiences in the white space of the photo. Some feature only the photo and words originally written. Others feature a few sentences to a paragraph contributed seven years later. A few aren’t totally legible, but ranging from a simple declaration to a manifesto, the words of the subjects are illuminating. The collection features a foreword by Candace Gingrich, who saw and was moved by the original art show, and an afterword by Graeme Taylor, who at 14 spoke to his school board about supporting LGBTQ students and won awards when that speech went viral. This presentation simultaneously highlights the individuality of the subjects and proves to those who may be isolated by geography or culture that they are not alone.

An important work for queer youth and those who support them as the future they represent. (Nonfiction. 13 & up)

Pub Date: Feb. 1, 2015

ISBN: 978-1-62963-041-0

Page Count: 128

Publisher: PM Press

Review Posted Online: Nov. 10, 2014

Kirkus Reviews Issue: Dec. 1, 2014

BEYOND THE GENDER BINARY

From the Pocket Change Collective series

A fierce, penetrating, and empowering call for change.

Artist and activist Vaid-Menon demonstrates how the normativity of the gender binary represses creativity and inflicts physical and emotional violence.

The author, whose parents emigrated from India, writes about how enforcement of the gender binary begins before birth and affects people in all stages of life, with people of color being especially vulnerable due to Western conceptions of gender as binary. Gender assignments create a narrative for how a person should behave, what they are allowed to like or wear, and how they express themself. Punishment of nonconformity leads to an inseparable link between gender and shame. Vaid-Menon challenges familiar arguments against gender nonconformity, breaking them down into four categories—dismissal, inconvenience, biology, and the slippery slope (fear of the consequences of acceptance). Headers in bold font create an accessible navigation experience from one analysis to the next. The prose maintains a conversational tone that feels as intimate and vulnerable as talking with a best friend. At the same time, the author's turns of phrase in moments of deep insight ring with precision and poetry. In one reflection, they write, “the most lethal part of the human body is not the fist; it is the eye. What people see and how people see it has everything to do with power.” While this short essay speaks honestly of pain and injustice, it concludes with encouragement and an invitation into a future that celebrates transformation.

A fierce, penetrating, and empowering call for change. (writing prompt) (Nonfiction. 14-adult)

Pub Date: June 2, 2020

ISBN: 978-0-593-09465-5

Page Count: 64

Publisher: Penguin Workshop

Review Posted Online: March 14, 2020

Kirkus Reviews Issue: April 1, 2020

BLACK LOVE LETTERS

A wide-ranging collection of testaments to what moves the heart.

Black Americans declare their love.

This anthology brings together dozens of love letters by prominent Black Americans. The entries, interspersed with illustrations, address an eclectic mix of topics arranged under five categories: Care, Awe, Loss, Ambivalence, and Transformation. In their introduction, editors Brown and Johnson note the book’s inspiration in the witnessing of violence directed at Black America. Reckonings with outrage and grief, they explain, remain an urgent task and a precondition of creating and sustaining loving bonds. The editors seek to create “a site for our people to come together on the deepest, strongest emotion we share” and thus open “the possibility for shared deliverance” and “carve out a space for healing, together.” This aim is powerfully realized in many of the letters, which offer often poignant portrayals of where redemptive love has and might yet be found. Among the most memorable are Joy Reid’s “A Love Letter to My Hair,” a sensitive articulation of a hard-won sense of self-love; Morgan Jerkins’ “Dear Egypt,” an exploration of a lifelong passion for an ancient world; and VJ Jenkins’ “Pops and Dad,” an affirmation that it “is beautiful to be Black, to be a man, and to be gay.” Tracey Michae’l Lewis-Giggetts’ “Home: A Reckoning” is particularly thoughtful and incisive in its examination of a profound attachment, “in the best and worst ways,” to Louisville, Kentucky. Most of the pieces pair personal recollections with incisive cultural commentary. The cumulative effect of these letters is to set forth a panorama of opportunities for maintaining the ties that matter most, especially in the face of a cultural milieu that continues to produce virulent forms of love’s opposite. Other contributors include Nadia Owusu, Jamila Woods, Ben Crump, Eric Michael Dyson, Kwame Dawes, Jenna Wortham, and Imani Perry.

A wide-ranging collection of testaments to what moves the heart.

Pub Date: Oct. 24, 2023

ISBN: 9781638931201

Page Count: 240

Publisher: Get Lifted Books/Zando

Review Posted Online: June 29, 2023

Kirkus Reviews Issue: Aug. 1, 2023

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