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WE'VE GOT THE WHOLE WORLD IN OUR HANDS

A beautiful vision of a global community.

A classic spiritual gets a brand-new twist in this oversized picture book by López in which diverse children share a glorious, colorful world of nature.

From windows in a patchwork globe on the cover, children reach out, smiling. A multicolored yarn loops and stretches, leading off the cover page and into the book. The yarn lands in a ball at the feet of a girl against a white background. She fills her arms with it as the words begin: “We’ve got the whole world in our hands.” She then lets the yarn fly upward, and the loops continue across the spread, where other children smile and reach up toward it. As the pages progress, more and more children reach out their hands to “hold” the ever deepening landscape around them (“We’ve got the sun and the rain in our hands. / We’ve got the moon and the stars in our hands”). Deserts, forests, mountains, oceans, and all sorts of wildlife appear as children of various skin tones, hair textures, and attire follow the colored yarn; one child who uses a wheelchair appears in the first few pages but then disappears. The children begin to play with the yarn and with one another, until the children and animals, backgrounded by landmarks from different parts of the world, share one page, then fly off together in a hot air balloon. This unconventional interpretation of the classic song finds a modern application with joyful illustrations that send a message of hope and power to today’s children. A bilingual English/Spanish edition publishes simultaneously.

A beautiful vision of a global community. (Picture book. 2-8)

Pub Date: Oct. 9, 2018

ISBN: 978-1-338-17736-7

Page Count: 40

Publisher: Orchard/Scholastic

Review Posted Online: July 31, 2018

Kirkus Reviews Issue: Aug. 15, 2018

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THE HALLOWEEN TREE

Just the thing for anyone with a Grinch-y tree of their own in the yard.

A grouchy sapling on a Christmas tree farm finds that there are better things than lights and decorations for its branches.

A Grinch among the other trees on the farm is determined never to become a sappy Christmas tree—and never to leave its spot. Its determination makes it so: It grows gnarled and twisted and needle-less. As time passes, the farm is swallowed by the suburbs. The neighborhood kids dare one another to climb the scary, grumpy-looking tree, and soon, they are using its branches for their imaginative play, the tree serving as a pirate ship, a fort, a spaceship, and a dragon. But in winter, the tree stands alone and feels bereft and lonely for the first time ever, and it can’t look away from the decorated tree inside the house next to its lot. When some parents threaten to cut the “horrible” tree down, the tree thinks, “Not now that my limbs are full of happy children,” showing how far it has come. Happily for the tree, the children won’t give up so easily, and though the tree never wished to become a Christmas tree, it’s perfectly content being a “trick or tree.” Martinez’s digital illustrations play up the humorous dichotomy between the happy, aspiring Christmas trees (and their shoppers) and the grumpy tree, and the diverse humans are satisfyingly expressive.

Just the thing for anyone with a Grinch-y tree of their own in the yard. (Picture book. 4-8)

Pub Date: Aug. 6, 2019

ISBN: 978-1-4926-7335-4

Page Count: 32

Publisher: Sourcebooks Jabberwocky

Review Posted Online: July 13, 2019

Kirkus Reviews Issue: Aug. 1, 2019

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THERE'S A ROCK CONCERT IN MY BEDROOM

Nice enough but not worth repeat reads.

Emma deals with jitters before playing the guitar in the school talent show.

Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)

Nice enough but not worth repeat reads. (Picture book. 4-6)

Pub Date: March 29, 2022

ISBN: 978-0-593-35207-6

Page Count: 40

Publisher: Razorbill/Penguin

Review Posted Online: Feb. 8, 2022

Kirkus Reviews Issue: March 1, 2022

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