by Rafael Ordóñez ; illustrated by Laure du Fäy ; translated by Kim Griffin ‧ RELEASE DATE: Sept. 12, 2017
A hoot about toots with a health lesson to boot.
Warning: portions of this review may be offensive….
One day, while soaking his feet in the river, the elephant sees a bubble burst through and explode in a fart. The elephant thinks the hippo who’s done it is “a bit gross”…but the elephant’s tummy has been hurting lately. He cuts loose with an impressive blat of his own, and the two large animals laugh about their gas. This inspires the monkey to suggest a farting contest. The crocodile volunteers to be the judge, and the monkey advertises it by shouting through the jungle until everyone knows. The next day, the hippo fires one off to start the contest. The zebra’s sounds like a volley of fireworks. The gazelle gets too excited and drops a bit more than a bottom burp. The gorilla’s is startlingly small (the hedgehog dismissively says he “farts…like a chinchilla”). Then an ear-splitting, nose-destroying whopper shakes the earth…whose could it be? The answer surprises everyone. Spanish poet and picture-book author Ordóñez offers this frank fable of flatulence that, at its core, says sometimes a toot can make a tummy feel better (and it’s really nothing to make fun of). French artist du Fäy’s Matisse-y, blocky, colorful illustrations of cartoon creatures competitively cutting the cheese are perfectly in keeping with the cheeky tone of the text.
A hoot about toots with a health lesson to boot. (Picture book. 3-8)Pub Date: Sept. 12, 2017
ISBN: 978-84-945971-4-5
Page Count: 48
Publisher: NubeOcho
Review Posted Online: July 16, 2017
Kirkus Reviews Issue: Aug. 1, 2017
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by Eric Carle ; illustrated by Eric Carle ‧ RELEASE DATE: Dec. 15, 2015
Safe to creep on by.
Carle’s famous caterpillar expresses its love.
In three sentences that stretch out over most of the book’s 32 pages, the (here, at least) not-so-ravenous larva first describes the object of its love, then describes how that loved one makes it feel before concluding, “That’s why… / I[heart]U.” There is little original in either visual or textual content, much of it mined from The Very Hungry Caterpillar. “You are… / …so sweet,” proclaims the caterpillar as it crawls through the hole it’s munched in a strawberry; “…the cherry on my cake,” it says as it perches on the familiar square of chocolate cake; “…the apple of my eye,” it announces as it emerges from an apple. Images familiar from other works join the smiling sun that shone down on the caterpillar as it delivers assurances that “you make… / …the sun shine brighter / …the stars sparkle,” and so on. The book is small, only 7 inches high and 5 ¾ inches across when closed—probably not coincidentally about the size of a greeting card. While generations of children have grown up with the ravenous caterpillar, this collection of Carle imagery and platitudinous sentiment has little of his classic’s charm. The melding of Carle’s caterpillar with Robert Indiana’s iconic LOVE on the book’s cover, alas, draws further attention to its derivative nature.
Safe to creep on by. (Picture book. 3-6)Pub Date: Dec. 15, 2015
ISBN: 978-0-448-48932-2
Page Count: 32
Publisher: Grosset & Dunlap
Review Posted Online: Feb. 1, 2021
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by Tish Rabe ; illustrated by Laura Hughes ‧ RELEASE DATE: June 21, 2016
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
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