Despite occasionally florid prose, Rivera's debut is a tightly-woven narrative with vivid settings and characters.
In the American South, a young woman struggles to overcome poverty and abuse and make a better life.
For Rose McDonald, life in Orangeburg, South Carolina, is marked by a vicious cycle of tragedy and poverty. Her story begins in the late ‘50s with her mother, Wilma, a sweet-natured, sixteen-year-old daughter of a moonshiner of Cherokee descent. While visiting a bar with her best friend, she meets a Marine named Joe McCloud. Wilma is afraid of what Joe might think if he discovers she’s poor. Although Joe comes from a wealthy family, he’s estranged from his haughty mother and chose not to follow his brother, Calhoun, into high society. They marry when Wilma becomes pregnant; Joe reenlists in the Marines and is sent to Vietnam. Rose is born while he’s in training and Calhoun steps in to help the young family. Wilma’s devastated when Joe’s killed in action in Vietnam. Lonely, she begins a relationship with Bubba, an abusive drunk. Meanwhile, Rose grows closer to her grandparents, but she cannot escape Bubba’s unsavory attentions, which culminate in a horrific attack. Determined to overcome the cycle of poverty and abuse that marked Wilma’s life, Rose attends college and becomes a police officer, a career choice that leads to a reckoning with her past. Although the novel takes its name from the titular character, Rose McDonald, it really has two protagonists, Rose and her mother, Wilma. The first half of the novel is devoted to Wilma’s story and the circumstances of Rose’s birth. Rose’s harrowing but ultimately redemptive journey is followed in the second half. This ambitious structure is well-executed thanks to Rivera’s carefully paced narrative. The memorable leads are surrounded by a memorable cast of supporting characters including Joe and Calhoun McCloud; men whose love for Wilma and Rose help shape their destinies. For all its successes, the novel needed restraint in the euphemism department during the sex scenes. During one scene, the male anatomy is described as a “log”, “flagpole”, and “bratwurst.”
Despite occasionally florid prose, Rivera's debut is a tightly-woven narrative with vivid settings and characters.Pub Date: Feb. 4, 2016
ISBN: 978-1-5236-0538-5
Page Count: 362
Publisher: CreateSpace
Review Posted Online: March 24, 2016
Review Program: Kirkus Indie
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Genetically engineered dinosaurs run amok in Crichton's new, vastly entertaining science thriller. From the introduction alone—a classically Crichton-clear discussion of the implications of biotechnological research—it's evident that the Harvard M.D. has bounced back from the science-fantasy silliness of Sphere (1987) for another taut reworking of the Frankenstein theme, as in The Andromeda Strain and The Terminal Man. Here, Dr. Frankenstein is aging billionaire John Hammond, whose monster is a manmade ecosystem based on a Costa Rican island. Designed as the world's ultimate theme park, the ecosystem boasts climate and flora of the Jurassic Age and—most spectacularly—15 varieties of dinosaurs, created by elaborate genetic engineering that Crichton explains in fascinating detail, rich with dino-lore and complete with graphics. Into the park, for a safety check before its opening, comes the novel's band of characters—who, though well drawn, double as symbolic types in this unsubtle morality play. Among them are hero Alan Grant, noble paleontologist; Hammond, venal and obsessed; amoral dino-designer Henry Wu; Hammond's two innocent grandchildren; and mathematician Ian Malcolm, who in long diatribes serves as Crichton's mouthpiece to lament the folly of science. Upon arrival, the visitors tour the park; meanwhile, an industrial spy steals some dino embryos by shutting down the island's power—and its security grid, allowing the beasts to run loose. The bulk of the remaining narrative consists of dinos—ferocious T. Rex's, voracious velociraptors, venom-spitting dilophosaurs—stalking, ripping, and eating the cast in fast, furious, and suspenseful set-pieces as the ecosystem spins apart. And can Grant prevent the dinos from escaping to the mainland to create unchecked havoc? Though intrusive, the moralizing rarely slows this tornado-paced tale, a slick package of info-thrills that's Crichton's most clever since Congo (1980)—and easily the most exciting dinosaur novel ever written. A sure-fire best-seller.
Pub Date: Nov. 7, 1990
ISBN: 0394588169
Page Count: 424
Publisher: Knopf
Review Posted Online: Sept. 21, 2011
Kirkus Reviews Issue: Oct. 15, 1990
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