The creators of Rough Face Girl (1992) and The Boy Who Lived With the Seals (1993) belatedly get together for another strongly told, strikingly illustrated folktale. Detailing his own additions in an appended note, Martin reworks an old Hawaiian myth into a story of mercy rewarded. After freeing a trapped shark rather than allow it to be killed, two children celebrate by tapping on the king’s drum, which is forbidden. When the hard-hearted king condemns them to death, their parents pay a call on Kauhuhu, the Shark God, who summons up a great wave that destroys the village, frees the children, and washes the reunited family on its way toward a distant, kinder home. Shannon peoples his island scenes with sturdy, tattooed, mahogany-skinned figures, but Kauhuhu, magnificently huge and ferocious, is by far the most powerful presence here: human in form, but with silver skin, decidedly sharklike features, and an immense toothy mouth tattooed across his shoulder blades. A slight confusion at the end identifies the father as a canoe-builder for the first time calling him by that name, but there’s enough joy, terror, and drama here to captivate any reader or listener. (Picture book/folktale. 7-10)
Pub Date: Oct. 1, 2001
ISBN: 0-590-39500-9
Page Count: 32
Publisher: Levine/Scholastic
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 2001
Trickling, bubbling, swirling, rushing, a river flows down from its mountain beginnings, past peaceful country and bustling city on its way to the sea. Hooper (The Drop in My Drink, 1998, etc.) artfully evokes the water’s changing character as it transforms from “milky-cold / rattling-bold” to a wide, slow “sliding past mudflats / looping through marshes” to the end of its journey. Willey, best known for illustrating Geraldine McCaughrean’s spectacular folk-tale collections, contributes finely detailed scenes crafted in shimmering, intricate blues and greens, capturing mountain’s chill, the bucolic serenity of passing pastures, and a sense of mystery in the water’s shadowy depths. Though Hooper refers to “the cans and cartons / and bits of old wood” being swept along, there’s no direct conservation agenda here (for that, see Debby Atwell’s River, 1999), just appreciation for the river’s beauty and being. (Picture book/nonfiction. 7-9)
Pub Date: June 1, 2000
ISBN: 0-7636-0792-4
Page Count: 32
Publisher: Candlewick
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 1, 2000
An uncomplicated opener, with some funny bits and a clear but not heavy agenda.
Hank Zipzer, poster boy for dyslexic middle graders everywhere, stars in a new prequel series highlighting second-grade trials and triumphs.
Hank’s hopes of playing Aqua Fly, a comic-book character, in the upcoming class play founder when, despite plenty of coaching and preparation, he freezes up during tryouts. He is not particularly comforted when his sympathetic teacher adds a nonspeaking role as a bookmark to the play just for him. Following the pattern laid down in his previous appearances as an older child, he gets plenty of help and support from understanding friends (including Ashley Wong, a new apartment-house neighbor). He even manages to turn lemons into lemonade with a quick bit of improv when Nick “the Tick” McKelty, the sneering classmate who took his preferred role, blanks on his lines during the performance. As the aforementioned bully not only chokes in the clutch and gets a demeaning nickname, but is fat, boastful and eats like a pig, the authors’ sensitivity is rather one-sided. Still, Hank has a winning way of bouncing back from adversity, and like the frequent black-and-white line-and-wash drawings, the typeface is designed with easy legibility in mind.
An uncomplicated opener, with some funny bits and a clear but not heavy agenda. (Fiction. 7-9)Pub Date: Feb. 14, 2014
ISBN: 978-0-448-48239-2
Page Count: 128
Publisher: Grosset & Dunlap
Review Posted Online: Dec. 10, 2013
Kirkus Reviews Issue: Jan. 1, 2014
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