Frustratingly long-winded and rambling.

WE ARE TOTALLY NORMAL

Nandan is perpetually lost.

Confused about his sexuality, his social status, and how he feels about the other high school students he calls his friends, Nandan manipulates and maneuvers his way through social interactions, hanging out with people he doesn’t really like. Nandan hooks up with Dave, who “was actually kind of hot,” but “maybe folks didn’t see it because he was Asian.” He feels disgusted about it later and wonders if he only did it to try and impress the popular crowd. These teens include Pothan and Ken, who are both bullies and gaslighters as well as sexist. The book includes a character who feels like being gay would make him cool, blasé and sarcastic use of the term “microaggressions,” teenage alcohol abuse, many unhealthy relationships and friendships, and an entire conversation by boys about how to manipulate a girl into sleeping with you. It is reminiscent of how exhausting being a teen can be, as all the characters are so crippled with anxiety and overthinking that the story advances at a snail’s pace. Its strength lies in the normalization of negotiating the complex social structure of teenage friendships and relationships, but it is also reminiscent of watching a documentary or reality show about awful people that was largely, painfully unedited. Nandan is Indian American, and there is diversity in the supporting cast.

Frustratingly long-winded and rambling. (Fiction. 14-18)

Pub Date: March 31, 2020

ISBN: 978-0-06-286581-6

Page Count: 288

Publisher: HarperTeen

Review Posted Online: Dec. 22, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression.

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GIRL IN PIECES

After surviving a suicide attempt, a fragile teen isn't sure she can endure without cutting herself.

Seventeen-year-old Charlie Davis, a white girl living on the margins, thinks she has little reason to live: her father drowned himself; her bereft and abusive mother kicked her out; her best friend, Ellis, is nearly brain dead after cutting too deeply; and she's gone through unspeakable experiences living on the street. After spending time in treatment with other young women like her—who cut, burn, poke, and otherwise hurt themselves—Charlie is released and takes a bus from the Twin Cities to Tucson to be closer to Mikey, a boy she "like-likes" but who had pined for Ellis instead. But things don't go as planned in the Arizona desert, because sweet Mikey just wants to be friends. Feeling rejected, Charlie, an artist, is drawn into a destructive new relationship with her sexy older co-worker, a "semifamous" local musician who's obviously a junkie alcoholic. Through intense, diarylike chapters chronicling Charlie's journey, the author captures the brutal and heartbreaking way "girls who write their pain on their bodies" scar and mar themselves, either succumbing or surviving. Like most issue books, this is not an easy read, but it's poignant and transcendent as Charlie breaks more and more before piecing herself back together.

This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression. (author’s note) (Fiction. 14 & up)

Pub Date: Aug. 30, 2016

ISBN: 978-1-101-93471-5

Page Count: 416

Publisher: Delacorte

Review Posted Online: May 4, 2016

Kirkus Reviews Issue: May 15, 2016

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Black is building a complex mythology; now is a great time to tune in.

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THE CRUEL PRINCE

From the Folk of the Air series , Vol. 1

Black is back with another dark tale of Faerie, this one set in Faerie and launching a new trilogy.

Jude—broken, rebuilt, fueled by anger and a sense of powerlessness—has never recovered from watching her adoptive Faerie father murder her parents. Human Jude (whose brown hair curls and whose skin color is never described) both hates and loves Madoc, whose murderous nature is true to his Faerie self and who in his way loves her. Brought up among the Gentry, Jude has never felt at ease, but after a decade, Faerie has become her home despite the constant peril. Black’s latest looks at nature and nurture and spins a tale of court intrigue, bloodshed, and a truly messed-up relationship that might be the saving of Jude and the titular prince, who, like Jude, has been shaped by the cruelties of others. Fierce and observant Jude is utterly unaware of the currents that swirl around her. She fights, plots, even murders enemies, but she must also navigate her relationship with her complex family (human, Faerie, and mixed). This is a heady blend of Faerie lore, high fantasy, and high school drama, dripping with description that brings the dangerous but tempting world of Faerie to life.

Black is building a complex mythology; now is a great time to tune in. (Fantasy. 14-adult)

Pub Date: Jan. 2, 2018

ISBN: 978-0-316-31027-7

Page Count: 384

Publisher: Little, Brown

Review Posted Online: Sept. 26, 2017

Kirkus Reviews Issue: Oct. 15, 2017

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