WONDER WOMAN

THE STORY OF THE AMAZON PRINCESS

Cosentino’s third introduction to a costumed superhero for newly independent readers (Superman, 2010, etc.) adequately covers the basics while resolutely placing its subject on the moral and ethical high ground. Blending the original DC origin story with its several subsequent adjustments and reboots, he lets Diana Prince herself narrate the account. She describes her birth, the athletic contest in which she won her silver bracelets and other gear, how she set out to protect the world from evil Ares and makes it her mission “to teach peace and respect to all…and to show the world how to live in harmony with nature.” Using thick black lines and bright colors and working in full spreads with the occasional inset panel or panel sequence, he depicts his scantily clad Amazon in stylized heroic postures—legs wide, fists at the ready, granite chin thrust forward, rosebud lips in a pout of concentration. This rarely varies as she takes out Circe and other threats, rescues an Inuit family from an ice floe, poses with smiling animals and people and soars in her semivisible jet. Wonder Woman uses her Lasso of Truth without ever clearly explaining its powers, and even younger readers may feel some cognitive dissonance between her claim that she works “through love and kindness” and her evident violence against Ares. Still, she stands as proof that there’s more to this superhero business than big muscles and testosterone-fueled aggression. (Picture book. 6-8)

Pub Date: April 1, 2011

ISBN: 978-0-670-06256-0

Page Count: 36

Publisher: Viking

Review Posted Online: April 5, 2011

Kirkus Reviews Issue: March 1, 2011

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Returning fans will be happy to see their friends, but this outing's unlikely to win them new ones.

BOA CONSTRUCTOR

From the The Binder of Doom series , Vol. 2

In the second installment of the Binder of Doom series, readers will reconnect with Alexander Bopp, who leads the Super Secret Monster Patrol, a group of mutant children who protect the citizens of their beloved town of Stermont.

His friends Nikki and Rip rejoin him to add new monsters and adventures to their ever growing binder of monsters. As in series opener Brute-Cake (2019), Alexander and his friends attend the local library’s summer program, this time for “maker-camp.” They are assigned a Maker Challenge, in which each camper is to “make a machine that performs a helpful task”; meanwhile, mechanical equipment is being stolen all over Stermont. Unfortunately, the pacing and focus of the book hop all over the place. The titular boa constructor (a two-headed maker-minded snake and the culprit behind the thefts) is but one of many monsters introduced here, appearing more than two-thirds of the way through the story—just after the Machine Share-Time concludes the maker-camp plotline. (Rip’s “most dangerous” invention does come in handy at the climax.) The grayscale illustrations add visuals that will keep early readers engaged despite the erratic storyline; they depict Alexander with dark skin and puffy hair and Nikki and Rip with light skin. Monster trading cards are interleaved with the story.

Returning fans will be happy to see their friends, but this outing's unlikely to win them new ones. (Paranormal adventure. 6-8)

Pub Date: Sept. 3, 2019

ISBN: 978-1-338-31469-4

Page Count: 96

Publisher: Scholastic

Review Posted Online: Aug. 18, 2019

Kirkus Reviews Issue: Sept. 1, 2019

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More sentimental even than Staake’s earlier My Pet Book (2014), but the shiny metaphor is well-intentioned and the nod to...

THE BOOK OF GOLD

A lifelong quest slowly transforms a stolidly incurious Brooklyn lad into an educated, well-traveled geezer.

A dedicated nonreader, young Isaac Gutenberg turns up his nose at the tantalizing facts his book-loving parents dangle before him until a mysterious little old lady tells him about a legendary volume that not only contains the answers to every question ever asked, but when opened “turns to solid gold.” As years pass and Isaac eagerly riffles through every book he finds, his unalloyed greed changes to curiosity: “Why don’t the pyramids have windows?” “Who invented pizza?” “How did the number eight get its name?” After scouring the world’s book shelves, he ultimately comes to realize that the search itself has given him “a long life filled with wonder.” Bronze-toned, retro-style views of New York, India, and other locales are bookended between 1935 and present-day visits to idealized but recognizable versions of the New York Public Library’s Main Reading Room. There (in an act that would in real life get him ejected if not arrested), old Isaac sidles up to an unattended young patron to pass on the glittering legend. Isaac and most of the other figures are white, but Staake diversifies the skin tones of street crowds and readers in the overseas and later scenes.

More sentimental even than Staake’s earlier My Pet Book (2014), but the shiny metaphor is well-intentioned and the nod to libraries is well-taken. (Picture book. 6-8)

Pub Date: Sept. 12, 2017

ISBN: 978-0-553-51077-5

Page Count: 40

Publisher: Schwartz & Wade/Random

Review Posted Online: May 10, 2017

Kirkus Reviews Issue: June 1, 2017

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