Thoroughly engaging and delightfully candid autobiography by a popular southern disk jockey, Grand Old Opry emcee, and host of the cable-TV talk-show Nashville Now. Beginning with his childhood in the dirt South, Emery makes it clear that he is telling about his life rather than serving up a ``famous-entertainers-I-know-intimately'' salute. Raised on his grandparents' 20-acre farm (complete with ``running'' cold water from a pump on the sink) outside of McEwen, Tenn. (pop. 635), Emery—with the very capable assistance of Tom Carter—tells of his childhood entrancement with radio. Ordering picture books of the stars who sang on Grand Old Opry, he sat on the floor studying them as the stars performed over the airwaves. At 19, he landed his first job as a radio announcer, at WTPR, a ``thousand- watt `daytimer' '' in Paris, Tenn. Although he realized he was ``about as important as wall paper,'' Emery enthusiastically played and replayed the station's single 78-rpm copy of 1951's hottest record—``Hey Good Lookin','' by Hank Williams. Emery chooses this juncture to note: ``I wanted to be a broadcaster simply because I wanted to be somebody.'' (His current radio show is aired on 440 stations.) The second half of the book is filled with profiles—done by way of anecdotes and stories—of people Emery has known in the country-music business. He is an insider, and his unvarnished takes on, among others, Patsy Cline, Hank Williams, Jr., Johnny Cash, Dolly Parton, and Keith Whitley (four months before his fatal overdose at age 33) are fresh and interesting. Emery's chapter on Merle Haggard—``the only singer- songwriter in the history of country music whose skills arguably surpass Hank Williams's''—is worth the price of the book. A fine outing for students of American lives and lovers of country music alike.
Pub Date: Nov. 1, 1991
ISBN: 0-02-535481-7
Page Count: 288
Publisher: Palgrave Macmillan
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 15, 1991
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
BOOK REVIEW
BOOK REVIEW
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