Sad, sublime, and surely something special.
No creature should be locked up for life.
After then-President Muhammad Zia-ul-Haq (who is unnamed in the text) arranged for the delivery of an elephant to Pakistan in the mid-1980s, the year-old calf, Kaavan, was kept chained in the Marghazar Zoo for 35 years. For 22 of those years, Kaavan was kept with Saheli, a female elephant, but after her death, Kaavan was left alone. Thankfully, there is a happy ending to the tale, as concerned people around the world—including Egyptian veterinarian Dr. Amir Khalil and pop star Cher—raised awareness of Kaavan’s miserable and lonely life, and he was eventually relocated to Cambodia’s Kulen Promtep Wildlife Sanctuary, where he had more room and other elephants to socialize with. The story explores Kaavan and Dr. Khalil’s relationship and follows the journey to ensure that Kaavan would not be lonely anymore. The real star of this beautifully told story is the artwork, which deftly captures Kaavan’s pain. The illustrations—gouache and acrylic on wood—feature bands of grain below the painted surface that give a hazy beauty to the pages and a remarkable amount of texture to Kaavan’s skin. An author’s note and a brief list of sources provide additional information for curious readers. (This book was reviewed digitally.)
Sad, sublime, and surely something special. (Informational picture book. 6-8)Pub Date: Oct. 18, 2022
ISBN: 978-0-316-36459-1
Page Count: 40
Publisher: Christy Ottaviano Books
Review Posted Online: July 12, 2022
Kirkus Reviews Issue: Aug. 1, 2022
Blandly laudatory.
The iconic animator introduces young readers to each “happy place” in his life.
The tally begins with his childhood home in Marceline, Missouri, and climaxes with Disneyland (carefully designed to be “the happiest place on Earth”), but the account really centers on finding his true happy place, not on a map but in drawing. In sketching out his early flubs and later rocket to the top, the fictive narrator gives Ub Iwerks and other Disney studio workers a nod (leaving his labor disputes with them unmentioned) and squeezes in quick references to his animated films, from Steamboat Willie to Winnie the Pooh (sans Fantasia and Song of the South). Eliopoulos incorporates stills from the films into his cartoon illustrations and, characteristically for this series, depicts Disney as a caricature, trademark mustache in place on outsized head even in childhood years and child sized even as an adult. Human figures default to white, with occasional people of color in crowd scenes and (ahistorically) in the animation studio. One unidentified animator builds up the role-modeling with an observation that Walt and Mickey were really the same (“Both fearless; both resourceful”). An assertion toward the end—“So when do you stop being a child? When you stop dreaming”—muddles the overall follow-your-bliss message. A timeline to the EPCOT Center’s 1982 opening offers photos of the man with select associates, rodent and otherwise. An additional series entry, I Am Marie Curie, publishes simultaneously, featuring a gowned, toddler-sized version of the groundbreaking physicist accepting her two Nobel prizes.
Blandly laudatory. (bibliography) (Picture book/biography. 6-8)Pub Date: Sept. 10, 2019
ISBN: 978-0-7352-2875-7
Page Count: 40
Publisher: Dial Books
Review Posted Online: Aug. 17, 2019
Kirkus Reviews Issue: Sept. 1, 2019
A winning heads up for younger readers just becoming aware of the wider natural world.
An appeal to share concern for 12 familiar but threatened, endangered, or critically endangered animal species.
The subjects of Marino’s intimate, close-up portraits—fairly naturalistically rendered, though most are also smiling, glancing up at viewers through human eyes, and posed at rest with a cute youngling on lap or flank—steal the show. Still, Clinton’s accompanying tally of facts about each one’s habitat and daily routines, to which the title serves as an ongoing refrain, adds refreshingly unsentimental notes: “A single giraffe kick can kill a lion!”; “[S]hivers of whale sharks can sense a drop of blood if it’s in the water nearby, though they eat mainly plankton.” Along with tucking in collective nouns for each animal (some not likely to be found in major, or any, dictionaries: an “embarrassment” of giant pandas?), the author systematically cites geographical range, endangered status, and assumed reasons for that status, such as pollution, poaching, or environmental change. She also explains the specific meaning of “endangered” and some of its causes before closing with a set of doable activities (all uncontroversial aside from the suggestion to support and visit zoos) and a list of international animal days to celebrate.
A winning heads up for younger readers just becoming aware of the wider natural world. (Informational picture book. 6-8)Pub Date: April 2, 2019
ISBN: 978-0-525-51432-9
Page Count: 40
Publisher: Philomel
Review Posted Online: Jan. 27, 2019
Kirkus Reviews Issue: Feb. 15, 2019
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