A well-crafted, engaging book about resilient childhoods in the face of displacement and conflict.
Danny loves to make music, Molly loves to paint and draw, and Marcus loves to write.
The three siblings engage in their creative worlds individually and together, finding refuge from stressors around them and producing songs, stories, poems, and beautiful artwork. Color-rich, collage-infused illustrations (printed on environmentally friendly pages) portray their joyful play, in contrast with protests, conflict, and fighting in the background. The street and protest signs as well as the words on TV appear in the book’s original Spanish. The brown-skinned children continue to pursue their passions despite their parents’ urging that they stay quiet, and their teachers become concerned that they’re not paying attention in school and are isolating themselves. But the children’s play is a form of therapy or mechanism for survival, as they seem to be able to shut off the hostile noises of the world around them. When the siblings realize that they need to move to a new, safer house in another country, they become very sad. However, shortly thereafter they conclude that home is where the heart and family are. They then create a warm home in their new residence and continue to be who they are—joyful creative children at play. The most important thing is for them to stay together.
A well-crafted, engaging book about resilient childhoods in the face of displacement and conflict. (Picture book. 4-9)Pub Date: May 1, 2020
ISBN: 978-84-16733-76-7
Page Count: 28
Publisher: Cuento de Luz
Review Posted Online: Feb. 8, 2020
Kirkus Reviews Issue: March 1, 2020
PERSPECTIVES
It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists.
How to raise money for a coveted poster: put your friends to work!
John, founder of the FUBU fashion line and a Shark Tank venture capitalist, offers a self-referential blueprint for financial success. Having only half of the $10 he needs for a Minka J poster, Daymond forks over $1 to buy a plain T-shirt, paints a picture of the pop star on it, sells it for $5, and uses all of his cash to buy nine more shirts. Then he recruits three friends to decorate them with his design and help sell them for an unspecified amount (from a conveniently free and empty street-fair booth) until they’re gone. The enterprising entrepreneur reimburses himself for the shirts and splits the remaining proceeds, which leaves him with enough for that poster as well as a “brand-new business book,” while his friends express other fiscal strategies: saving their share, spending it all on new art supplies, or donating part and buying a (math) book with the rest. (In a closing summation, the author also suggests investing in stocks, bonds, or cryptocurrency.) Though Miles cranks up the visual energy in her sparsely detailed illustrations by incorporating bright colors and lots of greenbacks, the actual advice feels a bit vague. Daymond is Black; most of the cast are people of color. (This book was reviewed digitally.)
It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists. (Picture book. 7-9)Pub Date: March 21, 2023
ISBN: 978-0-593-56727-2
Page Count: 40
Publisher: Random House
Review Posted Online: Dec. 13, 2022
Kirkus Reviews Issue: Jan. 1, 2023
Visually sweet, though hampered by disjointed storytelling.
In this picture book from Fox News journalist Hall, a young hedgehog must find a way to protect his community when peril looms.
Hedgehog and his father both have busy days ahead. Dad’s on his way to the newspaper to report “what new news the news brings.” Hedgehog packs his backpack for an adventure, mindful of Dad’s rules: “Don’t talk to strangers” and “never ever cross the river alone.” Obeying the rules proves difficult when Hedgehog notices commotion on the other side of the river: A bear is hungrily eyeing Baby Owl, who’s fallen from her tree. With creative thinking, Hedgehog frightens off the bear and alerts Mama Owl, but the predator is still at large. So Hedgehog and Mama Owl create flyers to warn the forest residents. Though Motzo’s airy illustrations are pleasing—particularly the adorably animated Hedgehog, a tribute to Hall’s own children—the narrative feels bogged down with multiple themes as it attempts to explore the power of the written word, the importance of community, and the need to adhere to a parent’s rules. When Hedgehog apologizes for his apparent disobedience, Dad explains that Hedgehog never actually broke the rules; turns out it’s OK to cross the river in the company of an adult, and Mama Owl’s no stranger (she’s the town librarian, whom Hedgehog sees every week). The back-and-forth may leave readers confused; it also feels like a missed opportunity to discuss how to identify trustworthy adults.
Visually sweet, though hampered by disjointed storytelling. (Picture book. 4-8)Pub Date: March 3, 2026
ISBN: 9780063357549
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: Dec. 26, 2025
Kirkus Reviews Issue: Feb. 1, 2026
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