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MULTIMEDIA

FROM WAGNER TO VIRTUAL REALITY

An unusual exploration of a quiet revolution that changed the world.

A comprehensive and ambitious anthology chronicling the history of “the multimedia revolution.”

With this collection, multimedia experts Packer and Jordan present a sampling of seminal articles by the artists, writers, scientists, musicians, and architects who engineered the 20th century’s communication revolution. Each of these authors, from composer Richard Wagner to multimedia artist Nam June Paik, Douglas Engelbart (inventor of the mouse, windows, and e-mail), and beat writer William Burroughs, envisioned modes of artistic expression that penetrated “the fourth wall” dividing art from audience. Each imagined new modes of synthesis or communication that would enable people actively to engage with art, literature, music, and vast stores of information in their everyday lives. Most of these visionaries believed that technology was the key to their efforts—that computers could transform the passive appreciation of art into an active, participatory discourse. Many of these works are very technical, and most require a basic understanding of contemporary debates in art and science. The editors have done readers the invaluable service of providing pithy, astute, contextual summaries of each essay so that readers can pick and choose from among them. In fact, picking and choosing is an appropriate way to read this collection, since Ted Nelson (who coined the terms “hypertext” and “hypermedia” in 1963), William Gibson (to whom we owe the term “cyberspace”), and many others believed that nonlinear reading and writing are ideal (because these forms better mirror the nonlinear workings of the human mind). Gems include Vannevar Bush’s 1945 Atlantic Monthly essay that led to the development of the “hyperlink,” Tim Berners-Lee’s 1989 proposal for a decentralized information network that was the foundation for the development of the World Wide Web, media artist Lynn Hershman’s description of her groundbreaking multimedia projects, and Marcos Novak’s piece about virtual architecture in cyberspace.

An unusual exploration of a quiet revolution that changed the world.

Pub Date: April 1, 2001

ISBN: 0-393-04979-5

Page Count: 416

Publisher: Norton

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 15, 2001

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THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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