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I HOPE I DON'T SEE YOU FOR A LONG TIME

A surprisingly vibrant and rewarding volume spotlighting the true nature and largely unacknowledged heart of a pharmacist.

Awards & Accolades

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A veteran pharmacist and international speaker chronicles his 33-year career through the tribulations of his customers. 

Sharing stories that have “stumbled around my head and heart, some for years,” Wright (It’s Good to See You Again, 2016) offers brief anecdotes of varying degrees of poignancy, cheer, friendliness, panic, and goodwill from the retail pharmacy where he worked. He begins his book with an admission that, initially, his duties revolved more around the multitiered aspects of clinical knowledge, regulations, and safety measures than on social interaction. With the accumulation of customer encounters, he notes, came a different perspective and a “deeper awareness” of the patient experience from the dispensary side of the business. “Like a good novel,” he writes appreciatively, “all the elements of drama are there: life, death, laughter, love, and dynamic characters.” His anecdotes, most barely over a page in length, are potent, affecting, introspective, and infinitely relatable; readers will recognize some aspect of themselves in many of these vignettes. Spanning periods as far back as 1975, when Wright was just out of the University of Kansas School of Pharmacy, he remembers the first time witnessing a customer taking pills he’d just dispensed in his presence. Other accounts feature late-night phone calls and unexpected visits from worried customers looking for unbiased assurance and advice, colicky babies, asthma sufferers, and Plan B seekers. The book’s brevity is least appreciated after Wright divulges a diagnosis of Parkinson’s disease in 2006 when he began existing on both sides of the pharmacy counter and his “faith in medicine got a test.” But the minimal details may leave readers wanting to know more about the author. Adding to the allure of this collection are the many pearls of pharmacy wisdom closing several stories. Wright taps into the wellspring of reflective episodes and experiences that informed his rich career and, though he recognizes that pharmacy work is demanding, he writes that it also can be greatly fulfilling, life-affirming, and heartwarming. Within these eloquently presented memories, the author reveals the essence of his livelihood: to compassionately and professionally tap into the vital connection between “a very trusting public and very potent chemica1s.

A surprisingly vibrant and rewarding volume spotlighting the true nature and largely unacknowledged heart of a pharmacist.  

Pub Date: N/A

ISBN: 978-0-578-02876-7

Page Count: 93

Publisher: Summit Press

Review Posted Online: June 28, 2019

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THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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I AM OZZY

An autobiography as toxic and addictive as any drug its author has ever ingested.

The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.

Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.

An autobiography as toxic and addictive as any drug its author has ever ingested.

Pub Date: Jan. 25, 2010

ISBN: 978-0-446-56989-7

Page Count: 320

Publisher: Grand Central Publishing

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2009

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