Will appeal to sociologists and students of cultural studies and behaviors.
An academic consideration of the cultural meanings behind increasing surveillance and post–9/11 securitization.
Lewis (American Studies/Univ. of Texas; Navajo Talking Picture: Cinema on Native Ground, 2012, etc.) sets out “to ask difficult questions about the weirdness and weariness of living under the blanket of surveillance technology.” He is clearly fascinated by its pervasiveness, and he argues that the traditional suspicion of surveillance ought to be reconsidered, that “the sustained and subtle impact of surveillance” adds richness of experience and even “fun” to our lives. Lewis explores these concepts in six long chapters, wide-ranging in topicality, from the overall expansion of CCTV networks to the resonance of Thoreau’s ideas within today’s surveillance state. He first establishes the emotional effect of overlapping types of surveillance, now integrated into our lives in venues ranging from nanny-cams to documented police shootings. “Surveillance conducted by citizens, or sousveillance, is supposed to shield us from the worst abuses of the state,” he writes. In the aptly named “Welcome to the Funopticon,” Lewis discusses the classic surveillance literature of George Orwell and Jeremy Bentham alongside his thesis that the provocative, public nature of surveillance is enriching us, noting, “what has not been fully understood is how much pleasure is driving this expansion of surveillance into our daily lives.” Elsewhere, the author contrasts the solemnity of the 9/11 memorial with the frenetic civic paranoia the attack unloosed, exemplified by the phenomenon of “sacred security” companies. These organizations fortify conservative evangelical Christian churches against doomsday scenarios, and they are experiencing rapid growth, like all connected with the surveillance industry. Lewis can write perceptively and with power, as in an autobiographical section reflecting on the social surveillance of his hardscrabble 1970s suburban childhood, but he also falls back on a synthesis of scholarly reading and theory that may not fully engage lay readers, in terms of current controversies and real-world relevance.
Will appeal to sociologists and students of cultural studies and behaviors.Pub Date: Nov. 1, 2017
ISBN: 978-1-4773-1243-8
Page Count: 288
Publisher: Univ. of Texas
Review Posted Online: Aug. 28, 2017
Kirkus Reviews Issue: Sept. 15, 2017
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”
The powerful story of a father’s past and a son’s future.
Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”Pub Date: July 8, 2015
ISBN: 978-0-8129-9354-7
Page Count: 176
Publisher: Spiegel & Grau
Review Posted Online: May 5, 2015
Kirkus Reviews Issue: July 1, 2015
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
BOOK TO SCREEN
BOOK TO SCREEN
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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