Next book

OFF THE GRID

MY RIDE FROM LOUISIANA TO THE PANAMA CANAL IN AN ELECTRIC CAR

A facile narrative about haves traveling in a land of have-nots.

An engineer and novelist’s account of how he traveled from Louisiana to Panama in an electric car.

Successful but bored with the “yuppie robot” he had become, Louisiana native Denmon (Lords of an Empty Land, 2015, etc.) decided he needed to “get off the grid, away from the cell phones and emails.” So he and a peripatetic college friend named Dean packed Denmon’s new Tesla Model S electric car with a GPS, two long, 240-volt extension cords, and “all the plugs and adapters I could lay my hands on” and headed south across the Rio Grande. Beyond possible encounters with crooked immigration agents, drug lords, carjackers, and roving bandits, they faced other dangers and challenges. Fully charged and traveling on flat, well-paved roads at an average of 65 miles per hour, the Tesla had a driving range of 265 miles. However, the terrain they encountered between Mexico and Panama was highly unpredictable, and the roads were often covered with large asphalt chunks that they had to dodge in order to avoid damaging a car that sat “six inches—at best—off the ground.” Finding locations where they could charge the car also proved difficult. “It would likely take all of our creative juices and ad-libbing to keep the sleek, high-tech machine moving south every day,” writes the author. Sometimes, they found hotels with the electrical outlets they needed; other times they had to beg and bribe and make due with whatever equipment they found. Denmon’s experiment in high-tech travel through the developing world is intriguing, but his observations about the countries through which he traveled are as limited and simplistic as they are pedestrian. With the exceptions of Costa Rica, “the planet’s biggest natural amusement park,” and former American protectorate Panama, Denmon typically depicts Central America as consistently dangerous and primitive and the U.S. as a place that has the “comforts that most of the world craves.”

A facile narrative about haves traveling in a land of have-nots.

Pub Date: April 4, 2017

ISBN: 978-1-5107-1739-8

Page Count: 248

Publisher: Skyhorse Publishing

Review Posted Online: Jan. 23, 2017

Kirkus Reviews Issue: Feb. 1, 2017

Categories:
Next book

NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

Categories:
Next book

THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

Categories:
Close Quickview