by Randy Hill ‧ RELEASE DATE: March 29, 2016
A retro space opera that stars a robust hero, diabolical aliens, and powerful hybrids.
A security pro embarks on the adventure of a lifetime, defending imperiled Earth against an approaching alien fleet, with unearthly allies and traitors on all sides.
In Hill’s sci-fi debut, Earth in 2113 has shifted in orbit and is protected from the scorching rays of the sun by an elaborate shielding array courtesy of tycoon Howard Simpson. Muscular young security specialist Jerry McCallister lands his dream job with Simpson’s company and is soon hot on the trail of an apparent spy beaming intelligence from within the well-guarded organization into uncharted space. McCallister also encounters Simpson’s virgin sex-bomb daughter, Carla, whom he ecstatically deflowers on their fact-finding mission at the lunar-based, shield-controlling center (which also doubles as a sort of virtual-reality, adults-only playland). In a parallel narrative that carries weird echoes of the mythology behind L. Ron Hubbard’s Scientology Scripture, high-ranking U.S. space pilots reveal themselves as partially alien, being descended from reconstituted extraterrestrial cremated remains long marooned on the moon. These friendly hybrids carry DNA memories of the Citons, nasty cosmic warlords who tend to talk like gangsters (calling women “whores” and “bimbos”) and who have an implacable doomsday invasion fleet en route to Earth. The Citons are formidable foes (McCallister tells Simpson that the Citons’ “minds and weapons are a million or so years beyond our comprehension”). How McCallister and his otherworldly allies pull together to confront the Citon threat is a tale full of action, intrigue, and pretty women. Hill’s energetic tale offers the kind of brawny characters, big explosions and spectacular crashes, questionable science, and heavenly bodies (the female kind) typified by men’s magazine fiction of the days when cigarette ads still walked the Earth (and goat-gland virility remedies were peddled in the classifieds). A cameo by counteragent Matt Helm or master spy Derek Flint would not have violated the suspension of disbelief all that much. The macho space heroics feel a bit like the louche reading material Capt. Kirk might hide in his underwear drawer so Gene Roddenberry wouldn’t find it.
A retro space opera that stars a robust hero, diabolical aliens, and powerful hybrids.Pub Date: March 29, 2016
ISBN: 978-1-4787-7472-3
Page Count: -
Publisher: Outskirts Press
Review Posted Online: Feb. 9, 2017
Review Program: Kirkus Indie
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by Larry McMurtry ‧ RELEASE DATE: June 1, 1985
This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.
Pub Date: June 1, 1985
ISBN: 068487122X
Page Count: 872
Publisher: Simon & Schuster
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: May 15, 1985
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SEEN & HEARD
by Paulo Coelho & translated by Margaret Jull Costa ‧ RELEASE DATE: July 1, 1993
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
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