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VIVA'S VOICE

Inspiring and bold.

When a boisterous Latine girl learns to direct her energy toward justice, she finds how much her voice is needed.

Viva’s mighty voice shakes the playground and sometimes overpowers others. Viva also has a loving family, including her beloved Papi, who has a quiet voice but drives a loud city bus. Viva loves to join Papi on his route whenever she can, until one day she can’t because Papi and his fellow bus drivers are going on strike for better working conditions. But Viva begs to join her Papi on the picket line, as it seems like just the place for her big voice—“I know how to make lots of noise,” she says. Viva loves the energy of the picket line, and her enthusiasm helps give Papi the boost he needs to speak up for himself and his fellow workers. Inspired by the author’s own experiences on a picket line with her father, Viva’s story reminds us all of the power of our voice when used to help elevate the voices of others. Colorful illustrations expertly render Viva’s enthusiasm and her father’s trepidation, depict the bustling, diverse community that Viva calls home, and give a strong sense of place. Though the location is never specified in the text, small details in the illustrations evoke the author’s childhood home of Los Angeles. (This book was reviewed digitally.)

Inspiring and bold. (author’s note, discussion questions) (Picture book. 3-8)

Pub Date: Sept. 27, 2022

ISBN: 978-1-63894-006-7

Page Count: 32

Publisher: Kind World Publishing

Review Posted Online: Aug. 30, 2022

Kirkus Reviews Issue: Sept. 15, 2022

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LOVE FROM THE VERY HUNGRY CATERPILLAR

Safe to creep on by.

Carle’s famous caterpillar expresses its love.

In three sentences that stretch out over most of the book’s 32 pages, the (here, at least) not-so-ravenous larva first describes the object of its love, then describes how that loved one makes it feel before concluding, “That’s why… / I[heart]U.” There is little original in either visual or textual content, much of it mined from The Very Hungry Caterpillar. “You are… / …so sweet,” proclaims the caterpillar as it crawls through the hole it’s munched in a strawberry; “…the cherry on my cake,” it says as it perches on the familiar square of chocolate cake; “…the apple of my eye,” it announces as it emerges from an apple. Images familiar from other works join the smiling sun that shone down on the caterpillar as it delivers assurances that “you make… / …the sun shine brighter / …the stars sparkle,” and so on. The book is small, only 7 inches high and 5 ¾ inches across when closed—probably not coincidentally about the size of a greeting card. While generations of children have grown up with the ravenous caterpillar, this collection of Carle imagery and platitudinous sentiment has little of his classic’s charm. The melding of Carle’s caterpillar with Robert Indiana’s iconic LOVE on the book’s cover, alas, draws further attention to its derivative nature.

Safe to creep on by. (Picture book. 3-6)

Pub Date: Dec. 15, 2015

ISBN: 978-0-448-48932-2

Page Count: 32

Publisher: Grosset & Dunlap

Review Posted Online: Feb. 1, 2021

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ON THE FIRST DAY OF KINDERGARTEN

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...

Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.

The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)

Pub Date: June 21, 2016

ISBN: 978-0-06-234834-0

Page Count: 32

Publisher: Harper/HarperCollins

Review Posted Online: May 3, 2016

Kirkus Reviews Issue: June 1, 2016

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