Genuine.
Rashin, a young Iranian girl living in Brooklyn, heads to the Coney Island beach with her family, reminiscing on similar outings she had in the past to the Caspian Sea in Iran and comparing those to the present trip.
At the center of the story are two short anecdotes: One involves three little boys breaking the rules of the gender-segregated, curtain-split Iranian beach and taking a peek on the other side of the divide where women gather. The ensuing chaos is vividly described and illustrated by Kheiriyeh—with women “shouting and jumping out of the water and covering themselves with towels, newspapers and umbrellas.” Order and harmony are, however, soon restored after female members of the Islamic beach guard—depicted as stern, unsmiling women in black attire—patch the holes in the fabric and allow for beach activities to resume. (Since there’s been no connection made between Islam and the segregated beach, the episode may require unpacking for children unfamiliar with the practice.) The second anecdote, which inspired the title of the book, tells of Rashin’s sadness in not finding saffron-flavored ice cream. Her sadness is quickly overcome after a newfound friend, Aijah, a pigtailed black girl, suggests she try a new flavor, chocolate crunch, which she readily enjoys. Lively and imaginative illustrations on two-page spreads adorn the simple premise of the book—a juxtaposition of two beach experiences, one Iranian and one American.
Genuine. (Picture book. 4-8)Pub Date: May 29, 2018
ISBN: 978-1-338-15052-0
Page Count: 40
Publisher: Levine/Scholastic
Review Posted Online: March 26, 2018
Kirkus Reviews Issue: April 15, 2018
Visually sweet, though hampered by disjointed storytelling.
In this picture book from Fox News journalist Hall, a young hedgehog must find a way to protect his community when peril looms.
Hedgehog and his father both have busy days ahead. Dad’s on his way to the newspaper to report “what new news the news brings.” Hedgehog packs his backpack for an adventure, mindful of Dad’s rules: “Don’t talk to strangers” and “never ever cross the river alone.” Obeying the rules proves difficult when Hedgehog notices commotion on the other side of the river: A bear is hungrily eyeing Baby Owl, who’s fallen from her tree. With creative thinking, Hedgehog frightens off the bear and alerts Mama Owl, but the predator is still at large. So Hedgehog and Mama Owl create flyers to warn the forest residents. Though Motzo’s airy illustrations are pleasing—particularly the adorably animated Hedgehog, a tribute to Hall’s own children—the narrative feels bogged down with multiple themes as it attempts to explore the power of the written word, the importance of community, and the need to adhere to a parent’s rules. When Hedgehog apologizes for his apparent disobedience, Dad explains that Hedgehog never actually broke the rules; turns out it’s OK to cross the river in the company of an adult, and Mama Owl’s no stranger (she’s the town librarian, whom Hedgehog sees every week). The back-and-forth may leave readers confused; it also feels like a missed opportunity to discuss how to identify trustworthy adults.
Visually sweet, though hampered by disjointed storytelling. (Picture book. 4-8)Pub Date: March 3, 2026
ISBN: 9780063357549
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: Dec. 26, 2025
Kirkus Reviews Issue: Feb. 1, 2026
Another empowering outing led by a dynamic young role model.
The third title in the Ambitious Girl series finds young Maya wanting accomplished women to get their due.
On a school trip to Washington, D.C., brown-skinned, bubble-braided Maya is full of questions, among them “How many representatives are there?” and, while checking out the statues and monuments, “Where are all the women?” Maya’s teacher tells her that they’ve seen all the “popular” statues and monuments. Maya is as dogged (“But what about Eleanor Roosevelt? Or Mary McLeod Bethune?”) as her teacher is dismissive: “Those aren’t on my list.” (Maya’s teacher follows the same list every trip.) Back at home, Maya is newly awakened to the lack of female representation in her orbit—she notices that streets and “even her own school” are named for men. Is there anything she can do about this? Maya’s teacher’s cluelessness feels a bit implausible, more like a plot device to steer the story in the right direction, but Maya’s righteous indignation is believable, and her corresponding activism will energize readers. Valdez gets into the spirit of things with her invigorating digital art: Maya and her multiethnic classmates and neighbors are colorful dressers with smiling faces, which fosters a sense that wherever Maya goes, a warm and ebullient community is there for her.
Another empowering outing led by a dynamic young role model. (Picture book. 5-8)Pub Date: Feb. 3, 2026
ISBN: 9780316561341
Page Count: 40
Publisher: Little, Brown
Review Posted Online: Sept. 27, 2025
Kirkus Reviews Issue: Nov. 1, 2025
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