This rollicking fable will resonate with aficionados, dilettantes, and prodigies everywhere.
One-upmanship has never been so over-the-top.
How can Wally Wombat keep up with Wylie Wombat? Play the piano? Done that. Tap dance—while playing the piano? Done THAT. Twirling a ball on a furry snout—while tap dancing and playing the piano? DONE THAT! Ferociously sweating Wally Wombat has had “ENOUGH!” Wylie Wombat can do everything he can, and maybe even better. If Wally can’t be the best, he won’t play at all. So there. Wally quickly realizes that a quiet life in his burrow, while nice, isn’t what he wishes for most of all. Wylie offers up a truce and chocolate chip cookies on a picnic blanket—playing alone isn’t quite as much fun as having a friendly competitor. Wally and Wylie set up their dueling pianos. Soon the overachieving marsupials unicycle and flamethrow to stardom under the eucalyptus tree. They are the best—until they aren’t….Tep’s encouraging message about doing what you love despite not being the greatest of all time will spur children to explore life’s joys just for the pleasure it brings. (Regardless of cheeky parachuting wombats.) Pintonato’s vividly detailed illustrations comically highlight the myriad emotions clashing across put-upon Wally’s face. The unifying motif of the picnic blanket–patterned endpapers cleverly foreshadows the conflict resolution to come. The illustrator’s skillful use of negative space emphasizes the escalating mayhem to hilarious effect. (This book was reviewed digitally.)
This rollicking fable will resonate with aficionados, dilettantes, and prodigies everywhere. (Picture book. 4-8)Pub Date: Oct. 18, 2022
ISBN: 978-1-64896-180-9
Page Count: 40
Publisher: Princeton Architectural Press
Review Posted Online: Aug. 30, 2022
Kirkus Reviews Issue: Sept. 15, 2022
A straightforward, effective approach to helping children cope with one of life’s commonplace yet emotionally fraught...
A child struggles with the worry and anxiety that come with an unexpected problem.
In a wonderful balance of text and pictures, the team responsible for What Do You Do With an Idea (2014) returns with another book inspiring children to feel good about themselves. A child frets about a problem that won’t go away: “I wished it would just disappear. I tried everything I could to hide from it. I even found ways to disguise myself. But it still found me.” The spare, direct narrative is accompanied by soft gray illustrations in pencil and watercolor. The sepia-toned figure of the child is set apart from the background and surrounded by lots of white space, visually isolating the problem, which is depicted as a purple storm cloud looming overhead. Color is added bit by bit as the storm cloud grows and its color becomes more saturated. With a backpack and umbrella, the child tries to escape the problem while the storm swirls, awash with compass points scattered across the pages. The pages brighten into splashes of yellow as the child decides to tackle the problem head-on and finds that it holds promise for unlooked-for opportunity.
A straightforward, effective approach to helping children cope with one of life’s commonplace yet emotionally fraught situations, this belongs on the shelf alongside Molly Bang’s Sophie books. (Picture book. 4-7)Pub Date: June 1, 2016
ISBN: 978-1-943-20000-9
Page Count: 44
Publisher: Compendium
Review Posted Online: March 29, 2016
Kirkus Reviews Issue: April 15, 2016
Echoes of Runaway Bunny color this exchange between a bath-averse piglet and his patient mother. Using a strategy that would probably be a nonstarter in real life, the mother deflects her stubborn offspring’s string of bath-free occupational conceits with appeals to reason: “Pirates NEVER EVER take baths!” “Pirates don’t get seasick either. But you do.” “Yeesh. I’m an astronaut, okay?” “Well, it is hard to bathe in zero gravity. It’s hard to poop and pee in zero gravity too!” And so on, until Mom’s enticing promise of treasure in the deep sea persuades her little Treasure Hunter to take a dive. Chunky figures surrounded by lots of bright white space in Segal’s minimally detailed watercolors keep the visuals as simple as the plotline. The language isn’t quite as basic, though, and as it rendered entirely in dialogue—Mother Pig’s lines are italicized—adult readers will have to work hard at their vocal characterizations for it to make any sense. Moreover, younger audiences (any audiences, come to that) may wonder what the piggy’s watery closing “EUREKA!!!” is all about too. Not particularly persuasive, but this might coax a few young porkers to get their trotters into the tub. (Picture book. 4-6)
Pub Date: March 1, 2011
ISBN: 978-0-399-25425-3
Page Count: 32
Publisher: Philomel
Review Posted Online: Jan. 25, 2011
Kirkus Reviews Issue: Feb. 1, 2011
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