A stirring yet rudimentary examination of failed love.
A debut volume of poetry explores love, loss, and suicide.
Described as “a poetry journal,” this collection opens with a piece of flash fiction entitled “THE TWO OF US: A STORY.” It describes a young girl vomiting in the bathroom at a college party. Inebriated and distressed, she castigates herself, asking, “Why can’t I be normal?” To her surprise, she is suddenly confronted with the image of her own body, “cold and unresponsive,” on the floor. Outside of the stall, she finds another incarnation of herself fixing her makeup. The tale introduces various themes found in the poetry that follows. Many poems, such as “THE END,” deal with breakups and the ensuing feelings of worthlessness: “Because if you go, it is the end of my fucking boring life.” Others approach thoughts of self-harm and suicide, as found in “THIS IS HOW I DEAL WITH IT”: “Maybe I’ll slit my wrists / Or cut my thighs.” But other poems, such as “BIRTHDAY SHOOTING STAR,” hope for a better life: “I want to be loved in such a way that my soul is consumed.” Glimmers of hope are nevertheless unusual in a collection dedicated to “those who have a hard time loving themselves.” Some readers will strongly identify with the female protagonist’s feelings of ostracization and her desire to numb her pain with alcohol in “THE TWO OF US.” The idea of her dividing into other “selves” is thought provoking, but the plot remains underdeveloped. Unfortunately, R.F.’s poetry often lacks nuance. The poet identifies fundamental sensations, like pain, but does not unpack these feelings using vivid language. In “THE ROOM,” R.F. writes: “Cry next to him, with the silent noise / Of a love that has died; A love from anyone. / Abandoned in a cold room / Immersed in a sea of pain / Sabotaged by the waves of loneliness.” While the oxymoron “silent noise” captures the void forged by loss, lines like “Immersed in a sea of pain” seem cliched and insufficiently explorative. The result is a collection of poetry that repeatedly circles emotions but rarely provides trenchant commentary.
A stirring yet rudimentary examination of failed love.Pub Date: March 19, 2020
ISBN: 978-1-69870-028-1
Page Count: 118
Publisher: Trafford on Demand Pub
Review Posted Online: May 2, 2020
Review Program: Kirkus Indie
A tender and moving portrait about the transcendent power of art and friendship.
An artwork’s value grows if you understand the stories of the people who inspired it.
Never in her wildest dreams would foster kid Louisa dream of meeting C. Jat, the famous painter of The One of the Sea, which depicts a group of young teens on a pier on a hot summer’s day. But in Backman’s latest, that’s just what happens—an unexpected (but not unbelievable) set of circumstances causes their paths to collide right before the dying 39-year-old artist’s departure from the world. One of his final acts is to bequeath that painting to Louisa, who has endured a string of violent foster homes since her mother abandoned her as a child. Selling the painting will change her life—but can she do it? Before deciding, she accompanies Ted, one of the artist’s close friends and one of the young teens captured in that celebrated painting, on a train journey to take the artist’s ashes to his hometown. She wants to know all about the painting, which launched Jat’s career at age 14, and the circle of beloved friends who inspired it. The bestselling author of A Man Called Ove (2014) and other novels, Backman gives us a heartwarming story about how these friends, set adrift by the violence and unhappiness of their homes, found each other and created a new definition of family. “You think you’re alone,” one character explains, “but there are others like you, people who stand in front of white walls and blank paper and only see magical things. One day one of them will recognize you and call out: ‘You’re one of us!’” As Ted tells stories about his friends—how Jat doubted his talents but found a champion in fiery Joar, who took on every bully to defend him; how Ali brought an excitement to their circle that was “like a blinding light, like a heart attack”—Louisa recognizes herself as a kindred soul and feels a calling to realize her own artistic gifts. What she decides to do with the painting is part of a caper worthy of the stories that Ted tells her. The novel is humorous, poignant, and always life-affirming, even when describing the bleakness of the teens’ early lives. “Art is a fragile magic, just like love,” as someone tells Louisa, “and that’s humanity’s only defense against death.”
A tender and moving portrait about the transcendent power of art and friendship.Pub Date: May 6, 2025
ISBN: 9781982112820
Page Count: 448
Publisher: Atria
Review Posted Online: July 4, 2025
Kirkus Reviews Issue: Aug. 1, 2025
SEEN & HEARD
Uneven but fitfully amusing.
Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.
Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.
Uneven but fitfully amusing.Pub Date: July 30, 2024
ISBN: 9781250899576
Page Count: 384
Publisher: Henry Holt
Review Posted Online: Sept. 13, 2024
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SEEN & HEARD
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