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THE THIEF WHO STOLE HEAVEN

Through intricate paintings and a cohesive text, this Christian tale becomes fully fleshed out.

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A thief finds mercy from Jesus during the crucifixion in this retelling of a Gospel story.

In Arroyo’s picture book, Dismas, an abandoned child, is raised to be a thief. Despite his kind heart, he is instructed by his master that “mercy is a great weakness.” As Dismas grows to adulthood, he becomes a feared bandit, quick to kill. One night, Dismas encounters a group of travelers: a couple with a child, whom the thief recognizes as divine. Dismas spares the family, asking the child to remember him and show him mercy one day. Years pass, and Dismas continues his wicked ways until he is finally caught. As he hangs on a cross next to an innocent preacher, Dismas recognizes the man as the divine child he met long ago. Because of his faith, the thief is forgiven and welcomed into heaven. The tale’s violent content, from Dismas’ master’s killing a kitten to the bandit’s committing his own murders, is handled discreetly in the author’s straightforward text and delicately in Gallegos’ beautiful paintings. But this material makes the work better suited for older independent readers and upper level Sunday school classes. The detailed illustrations nod to European Renaissance art depictions of Bible stories, featuring White, dark-haired characters throughout. Arroyo offers an insightful endnote about the various traditional versions of Dismas’ journey, beginning with the Gospel of Luke but including the writings of St. Augustine and others.

Through intricate paintings and a cohesive text, this Christian tale becomes fully fleshed out.

Pub Date: March 9, 2021

ISBN: 978-1-64413-238-8

Page Count: 40

Publisher: Sophia Institute Press

Review Posted Online: April 16, 2021

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GOD GAVE US EASTER

From the God Gave Us You series

Fans of this popular series will find this a rewarding addition to family Easter celebrations.

Bergren and Bryant attempt to explain Easter to young children in a gentle, nonthreatening manner, with partial success.

When Little Cub questions her father about Easter, Papa Bear explains the religious significance of the holiday in various symbolic ways to his cub. He uses familiar things from their world, such as an egg and a fallen tree, to draw parallels with aspects of the Christian story. Papa Bear discusses his close relationships with Jesus and God, encouraging Little Cub to communicate with God on her own. The theme focuses on the renewal of life and the positive aspects of loving God and Jesus. Easter is presented as a celebration of eternal life, but the story skirts the issue of the crucifixion entirely. Some adults will find this an inadequate or even dishonest approach to the Easter story, but others will appreciate the calm and soothing text as a way to begin to understand a difficult subject. Bryant’s charming watercolor illustrations of the polar bear family, their cozy home and snowy forest scenes add to the overall mellow effect.

Fans of this popular series will find this a rewarding addition to family Easter celebrations. (Religion/picture book. 3-6)

Pub Date: Jan. 15, 2013

ISBN: 978-0-307-73072-5

Page Count: 40

Publisher: WaterBrook

Review Posted Online: Dec. 11, 2012

Kirkus Reviews Issue: Jan. 1, 2013

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DON'T FEED THE LION

An uneven depiction of how antisemitism manifests on social media and in real life.

Jewish siblings Theo and Annie Kaplan grapple with antisemitism in their middle school and society at large.

When soccer-obsessed Theo’s favorite player makes an antisemitic statement at a press conference, the ensuing social media spiral sickens Theo. His teammates’ dismissive reactions further unsettle the eighth grader. When someone draws a swastika on Theo’s locker, he initially suppresses his feelings before eventually lashing out. Sixth grader Annie responds to the controversy by lying to the school librarian, whom she adores: She’s wracked with guilt but uses a library computer to create an illicit social media account and jump right into the fray, rebutting the bigotry she sees online. The boisterous, white-presenting Kaplan family incorporates meaningful Jewish practices into their regular lives, although the authors’ depictions evoke some Jewish tropes, like the overbearing grandmother who must be covertly managed by other family members. Theo and Annie’s university professor parents pressure their children to stand up for themselves without offering much meaningful support. Using multiple first-person perspectives—including that of new kid Gabe, who’s mourning the loss of his mother to Covid-19—the authors maintain a quick pace even as both siblings reach a point of crisis. Theo and Annie remain likable and realistic in their behavior, but the characterization unfortunately struggles to keep pace with the action, leaving some of the emotions feeling abrupt and unearned.

An uneven depiction of how antisemitism manifests on social media and in real life. (Fiction. 9-13)

Pub Date: Nov. 11, 2025

ISBN: 9781467196215

Page Count: 256

Publisher: Arcadia Children's Books

Review Posted Online: Oct. 10, 2025

Kirkus Reviews Issue: Nov. 15, 2025

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